Autumn, that busy literary season, starts a bit early for me, with three readings coming up this month, and more to follow September through December. As I promised on King 5’s New Day Northwest (!!!), I will channel a young Jack Nicholson in at least one reading this year.
- Wednesday August 19, 7:30 pm: Family Affair is a family-themed cabaret at the Rendezvous in Belltown. Jack Straw fellows Clare Johnson, Matthew Schnirman, Bernard Grant, Ross McMeekin, Jeanine Walker, and I will regale you with all things family.
- Thursday, August 27, 7 pm: Dock Street Salon at Phinney Books in Phinney Ridge/Greenwood. I’m reading alongside Angela Fountas. Prepare for a dark fairy tale.
- Friday, August 28, 7 pm: Jack Straw at the University Bookstore. Ross, Matthew, and I take on the U-District. After party on frat house row not included.
- Thursday, September 10, 6 pm: An extra special Jack Straw event at the It’s About Time Reading Series in Ballard, themed around Jack Straw, a leader of the English Peasant Revolt of 1381. These insurgent peasants traveled throughout southern England, gathering followers, opening prisons, killing lawyers and telling stories. As I’ll be reading an excerpt from my novel-in-progress Paralegal, I’ve been tasked with covering the “killing lawyers” portion of the evening. Martha Kreiner will give a craft talk on opening prisons. L.J. Morin and Clare Johnson will gather all the followers and tell all the stories.
- Thursday, December 3, 7 pm: Pay Dirt at the Rendezvous in Belltown. To celebrate my 4Culture grant, I’ll be reading from my novel Paralegal alongside fellow Jack Straws Emily Bedard, Matthew Schnirman, Bernard Grant, and Martha Kreiner. We’ll dig up the dirt on art, money, desire, and making a living.
(No, I didn’t shamelessly tag a zillion things in this post…Okay, yes I did.)
The Jack Straw May Reading Series kicks off on May 1! I’m so excited to see my fellow fellows sharing new work and putting our voice and performance coaching into action. Each Friday evening at 7 pm, four writers (one prose writer and three poets) will perform their work. A suggested donation of $5 gets you a copy of the 2015 Jack Straw Anthology; a light reception will follow.
Partial inspiration for “Cauliflower Tells You” — a magic dress shop in Victoria, B.C.
One of the weirdest short short stories I’ve ever written, “Cauliflower Tells You,” was published today on Monkeybicycle. It happens to be my 33rd birthday, so this is an excellent birthday present from the universe. Here’s how it begins:
Cauliflower perches behind your ear and talks to you in a tinny voice.
Elements of this story have been floating around in my head for some time, but I couldn’t figure out what to do with them. (Like “Raven in a Jar,” I had an atmosphere first, then a story.) Then one day this past fall, after immersing myself in Anne Carson and Haruki Murakami, and after eating a rainbow cookie, and after finding myself on the couch with the flu, this story poured out into a notebook, following the intensely strange logic of a fever dream.
Another misty PNW place that deserves a fairy tale…One day?
I’m over the moon. My story “Raven in a Jar” is in CICADA’s “Tricksters & Thieves” issue. CICADA is a YA literary magazine, part of a family of children’s publications. I used to subscribe to Cricket. In fact, I think Cricket was the first place I submitted my work. I was in the fourth grade, and it was a poem about Ottawa, I think. Not that I’d been there, yet.
“Raven in a Jar” gestated slowly, starting with my first visit to Victoria, B.C., in my first winter of the Pacific Northwest. I knew I wanted to write something about that place, had a clear sense of atmosphere, but it took another year for the story to emerge, inspired in part by the Haida myths about the Raven Who Steals the Light, and several more years of expanding, cutting, expanding, cutting, focusing…you get the idea.
Here’s how the story begins:
Young mouth in a hard line, Lala bundled her wool coat tightly around herself as she crossed the narrow pebbled beach at the foot of the bluffs. Her pockets and boots were stuffed with provisions — crackers, tins of sardines — and she lugged an exceptionally large jar filled with her grandmother’s custard. She extracted her father’s pocketknife and cut a boat from the dock near the house, rowing away. Sea gulls squawked and whooped. Dive-bombed.
I worked on revising this story as a part of my Made at Hugo House project, the story collection MORE LIKE HOME THAN HOME. Happy this story found a fantastic home.
I’m very happy to have been chosen for the 2015 Jack Straw Writers Program by curator Kevin Craft. This is a great program in Seattle (though folks from Portland; Vancouver, B.C.; Olympia; Walla Walla and elsewhere in the region have participated) giving writers training and experience with recording, presentation, and author interviews as well as encouraging the development of new work and providing new venues for sharing their work with the public.
I’ll be using the program to continue developing my second novel, which I’m calling Paralegal for now, though that might change. We had a very nice orientation last night, and it was really lovely to hear snippets of poetry and fiction from each of the eleven other fellows! Stay tuned for the public readings (starting in May and continuing through the end of 2015) and a podcast featuring excerpts from my reading and author interview.
On March 21, I’m teaching a special one-day Hugo House class at the Henry Art Gallery. As I mentioned in a recent Ploughshares blog post, I’ve been helping out with the literary component of Ann Hamilton: the common S E N S E, the exhibit that has taken over all of the Henry from October to April. The show explores the sense of touch and our relationship to nature as well as being touched–emotionally, intellectually–through the private act of reading.
The exhibit has filled the galleries with scanned images of taxidermy animals from the Burke Museum of Natural History, with children’s ABC primers and bestiaries from the University of Washington’s Libraries Special Collections, and with clothing made from animal products both from the Burke and from the Henry’s collections. Throughout the galleries, at different times, chorale singers sing to the objects. And, reader/scribes read aloud to objects of their choice, like a bedtime story, from a common text that will change over the course of the show–the first is J.A. Baker’s The Peregrine, a beautiful book. These reader/scribes, when particularly moved by a passage in the text, record that passage into a log book. These log books will accumulate over time, becoming a record of a collective reading experience.
There are a number of ways to participate in this rich exhibit:
- Submit a fragment from your own reading that deals with the sense of touch (literally or intellectually) to this tumblr site; your submissions may be included in the exhibit!
- Volunteer to be a reader/scribe. I’ve done it four times so far; it’s a powerful experience, and I’m writing about it now and hope to share it with you soon. Perks: free admission, a free pass to return to the exhibit, and an invitation to participate in a discussion of the experience with other reader/scribes and facilitated by a member of the literary community (including me!).
- Take my Hugo House class Senses at the Henry on Saturday, March 21, 12-3 pm. We’ll do the reader/scribe activity, contributing to the exhibit itself (exciting!), discuss the experience, and then dive into creative writing in response to the show. Member registration begins on December 9 and general registration opens on December 16.
Hope to see you around the Henry in the coming months!
This winter, I’m teaching Intro to Fiction: Writing the Short Story, a six-week class at Hugo House laying out crucial elements of story. Here’s the course description:
This class will zero in on the three-part backbone of story: character, plot, and landscape. Who is your main character? What do they want? What keeps them from getting what they want? Readings and discussions will include canonical and contemporary stories from James Joyce, Anton Chekhov, Mavis Gallant, Jamaica Kincaid, Louise Erdrich, and others. Writing exercises will focus on crucial craft elements as well as generative exercises to get started.
I’m also teaching a special one-day class at the Henry Art Gallery in conjunction with Ann Hamilton’s show the common S E N S E, which I’ll write more about in a separate post. Registration for Hugo House members begins on December 9 and for the general public on December 16. Hope to see you there!
“Harush” by John Osgood, painted during the 24-hour art marathon at CoCA (text painted by yours truly).
I’m very happy that my story “Skitter,” first published in The Massachusetts Review and previously only available in print, is now online at LitRagger. I love their project of reprinting stories, poems, and essays so that they have an online presence. Here’s how “Skitter” begins:
Another tooth plinked into the tea glass and Harush blinked at it twice.
Over on the Hugo House blog, my Classy Talk interview sheds a bit more light on my upcoming fiction workshop. Take a look, sign up, and help me spread the word about it! Class meets Wednesday nights, 7-9 pm, starting October 29. I’m already excited about the story we’ll read on the first day, a short-short by Angela Carter, which will be atmospheric and fairy tale-ish and spooky.