I’m pleased to offer a third iteration of my writing with visual art class for Richard Hugo House at the Henry Art Gallery, now snappily-titled Visual Inspiration. Here’s the course description:
This class, which meets at the Henry Art Gallery at the University of Washington, will use visual art as a springboard for diving into prose writing. We’ll mine the inspiration of images to unearth new prose or add unexpected meaning and direction to works in progress. Students can search the Henry’s digital archive and request works from the permanent collection not currently on view. For even more creative percolation, we’ll read published works inspired by visual art. Exercises, readings, and discussions will cover the writing process, character, story, landscape (internal and external), and style. Students will have the option to workshop one short-short story or essay. Co-Presented with the Henry Art Gallery.
Class meets Thursday evenings 6-8 pm, January 30-March 13 (with no class on February 27 due to the AWP conference). General registration begins December 10, and the scholarship deadline is December 24. I’m excited to see what students do with “Sanctum,” the interactive installation now outside the Henry that draws on social media and surveillance technology, and I’m curious as always to see what gets pulled from the permanent collection and what new creative works spiral out from that.
Last night, I had a lovely time reading in Chelsea Kurnick’s YouTube-based reading series The Casserole. I read from my novel Dirty alongside Andrew Ladd, whose novel What Ends won the 2012 AWP award and will be published in January 2014 by New Issues Press and in August 2014 by Oneworld in the UK. As you’ll hear in the reading, Andrew’s writing is beautiful and the scope of his novel impressive and compelling. I’m looking forward to reading with him in person at our off-site event during the AWP conference in Seattle: Thursday, February 27, at 8 pm, at Eltana. Why Eltana? Well, Andrew and I met in a writing group in Montreal when we both attended McGill University. It’s nice to have a bit of Montreal in Seattle via the Montreal-style bagels of Eltana. Also, the space is lovely.
But, back to The Casserole. What a neat idea! Chelsea has also featured two other writer friends and co-conspirators of mine, Corinne Manning and Kristen Young. Corinne read a hilarious short story, “Professor M,” from her wonderful collection-in-progress. Watch for her forthcoming chapbook from Alice Blue Books‘ Shotgun Wedding Series, out later this fall, and read her gut-punching-beautiful novel excerpt in Drunken Boat. Kristen read an excerpt from her ambitious, layered novel Subduction, which is ultimately about “wanting more than we have, longing to belong, and choosing, only to lament our choices.” Watch for an excerpt in the December issue of City Arts Magazine.
Here’s the video from my reading with Andrew:
John painted the text over again in red.
John Osgood spray painted over the first layer of text.
My practice runs with a paint pen.
After he sprayed over the red text, I went in again with a calligraphy brush.
Yesterday and all of last night and into 9 am this morning, the Center on Contemporary Art hosted a 24-hour art-making marathon at their Ballard location, the Shilshole Bay Beach Club. One of the 21 artists participating, John Osgood, wanted to collaborate with other artists during this frenzied event, and last month, I was invited to submit some of my writing. I sent John a couple short stories, and didn’t know what would happen until I arrived at the marathon yesterday (of course, pretty much simultaneously with his other collaborators Amir Farhad, Robert Hardgrave, Stephen Rock, and a last minute fifth collaborator which added to the frenzy). John told me he’d chosen to work with my story “Skitter” and would paint a parade scene from it. He proposed that I paint text on the canvas and he would layer colors on top of that. I loved the idea, though I was nervous about painting, even if it was in my realm of text. After I decided what text should go on the canvas, he showed me how to use a paint pen, and I practiced as much as I could so that it didn’t look like a 3 year old or drunk person had written it, though I suppose that’s not necessarily a bad thing. John spray painted over my first layer of text, then wrote over the same excerpt with a red paint pen, using his infinitely cooler handwriting. Then he spray painted it again and handed me a calligraphy brush and more liquid black paint and asked me to write the text again in smaller letters, trying not to cover over the other two layers but getting between them. John is probably taking a well-deserved nap right now, seeing as he painted 5 new pieces, collaborating with 5 different people, all between 9 am yesterday and 9 am today. The works (and there was a ton of other fantastic stuff being made by 20 other artists) will be auctioned off tonight during CoCA’s fun-n-fancy gala dinner, which is, I understand sold out. Of course I am eagerly awaiting the final product from John’s take on “Skitter” — above are a few photos from documenting the process. Special thanks to John Osgood and to Nichole DeMent. It was a fantastic night!
Here it is, the final product, “Harush,” by John Osgood & Anca Szilagyi:
My latest bullet-point book review is up on the Ploughshares blog. I’m so glad Ross Ufberg of New Vessel Press reached out to me about Shemi Zarhin’s novel Some Day and brought to my attention this new publishing house focused on translating foreign literature into English. I’m big on linguistic and literary diversity, border-crossing and mind-opening, and I’m looking forward to reading more books from New Vessel.
I’m excited to be teaching a class on fairy tales at Corinne Manning’s Living Room Workshops. Mid-December is wonderful time for contemplating magic, especially fairy tale magic. Here’s the course description, with nitty gritty info below:
Explore magical realism and fairy tales with 3 teachers over the course of one weekend in this moveable feast of a writing workshop. Participants will move from house to house gaining craft skills, knowledge, and writing some “marvelous” fiction and exploring the memoir as fairy tale. Readings will include Brothers Grimm, Angela Carter, and Alyssa Nutting.
Each class will last 1.5 hours and will take place in Capitol Hill and the Central District on Saturday, ending in Greenwood on Sunday. Carpooling is encouraged. Course must be taken as a whole. No single class drop ins. To enroll please email firstname.lastname@example.org.
Tale: A Two-day Moveable (Writing) Feast
December 14- 15, Saturday and Sunday
Instructors: Corinne Manning, Anca Szilagyi, Anne Bean
Saturday: 1-2:30, 3-4:30 (Capitol Hill, Central District)
Sunday: 1-2:30 (Greenwood)