“Harush” by John Osgood, painted during the 24-hour art marathon at CoCA (text painted by yours truly).
I’m very happy that my story “Skitter,” first published in The Massachusetts Review and previously only available in print, is now online at LitRagger. I love their project of reprinting stories, poems, and essays so that they have an online presence. Here’s how “Skitter” begins:
Another tooth plinked into the tea glass and Harush blinked at it twice.
My latest blog post for Ploughshares offers suggestions for inserting and escalating conflict in fiction, with advice from Stephanie Kallos, Janet Burroway, and Merrill Feitell. Here’s how it starts:
In fiction, only trouble is interesting. For the conflict averse, instilling a story with juicy conflict may take some practice. Someone who has read many drafts of many of my short stories once dubbed me “Anca Did She Forget the Conflict Szilagyi”–a moniker that has become helpful as I work on second and third drafts of stories. As is often the case in learning something, I was aware, theoretically, that I had this problem. But how to proceed?