Gosh, 2016 is really turning into the year of nonfiction. I am so excited to have an essay in The Rumpus today! Here’s how it begins:
Maybe it started with a ham sandwich.
Many thanks to editor Elissa Washuta!
“I wish people would just stop writing about the Holocaust,” a woman said to me at a national writing conference. Thus begins “Art After Auschwitz,” my feature article for Jewish in Seattle‘s history issue.
It’s such a big topic. I’d love to explore it further. I learned about so many artists, such as Israeli Maya Zack, who’s working on a film about Paul Celan, and Seattleite Leah Warshawski, whose documentary Big Sonia follows a larger-than-life survivor running a tailor shop in a dying mall outside Kansas City. I came across Ann Lipscombe, a young artist whose surreal drawing “What We Talk About When We Talk About My Jewish Nose,” stopped me in my tracks at the Jewish Art Salon’s “The Jew as Other” show in New York last December, and miniaturist Tine Kindermann, whose “Hummel Midrash” project explores the danger of kitsch and who curated “The Jew as Other” with Yona Verwer.