There are just six copies left of my chapbook “I Loved You in New York” (alice blue books, 2015). Since alice blue shut its doors in 2016, I’ve been selling them at readings and on Etsy. An excerpt:
On Valentine’s Day, she’s feeling a little sick, so they stay in and watch part of Cronenberg’s Crash and eat Stouffer’s chocolates while on the screen a bloodied couple screws each other in a car wreck.
Get it in time for Valentine’s Day!
Did you already read and enjoy? Please leave a review on Goodreads. My ego thanks you.
Olympic Sculpture Park; photo by George Szilagyi
As the year winds down into its darkest days, I hope you’ll join me for one of these events. If you come to two, I will give you a lollipop.
- Friday, December 2, at 8 pm: The Furnace Says Goodnight at Hollow Earth Radio. Thirteen Furnace writers contributed pieces that Corinne and I have woven into a single story. The pieces are at turns raw, luminous, defiant, and hopeful. I’m super excited to see the collaboration come alive on stage. And there will be klezmer music! Please come help us celebrate our last performance. If you’re not in town, you can tune in online at hollowearthradio.org.
- Wednesday, December 7, at 7 pm: Superfriends: Moss + Pacifica at Open Books. Two literary magazines near and dear to me are having launch parties for their latest issues. I’m in Moss #6! Pacifica published my first poem back in March.
- Tuesday, December 13, at 7 pm: Seattle Fiction Federation at Richard Hugo House. A fiction-full night! I’m reading alongside Steve Sibra, Lucy Hitz, and Donna Miscolta, whose story collection Hola and Goodbye just came out from Carolina Wren Press. There’s also an open mic, so come with up to 5 minutes of fiction to share.
Italian prune plum galaxy
I’m thrilled to have my essay “Dark Fruit: A Cultural and Personal History of the Plum” appear in the Los Angeles Review of Books today. It collages personal stories with discussions of Tolstoy, Herta Müller, Gregor von Rezzori, ancient Chinese poetry, visual art, horticulture, superstitions, and more. I’m grateful it found a home in such a fine venue!
Jacopo Ligozzi (Italian, 1547 – 1627 ), A Marmot with a Branch of Plums, 1605, brush with brown and black wash, point of the brush with black and brown ink and white gouache, and watercolor, over traces of graphite on burnished paper, Wolfgang Ratjen Collection, Purchased as the Gift of Helen Porter and James T. Dyke 2007.111.121
I’m back from a family trip to Orcas Island. Waiting for the ferry in Anacortes, we spotted skittering kingfishers and a great blue heron in flight–its path strangely loping. Then, in Orcas, there were the requisite cows, sheep, and horses; a buck crunching on dead leaves; and sweet doe eating dandelions. We went to the old strawberry barreling plant in the hamlet of Olga, where there are no longer any strawberry fields. And M & I baked our bones in a sauna that may have been close to 200° F. How refreshing!
Now I’m in back-to-school mode. A few tidbits of note:
- On Sunday, September 18, I’m teaching a free one-day class on contemporary fairy tales at the Capitol Hill branch of the Seattle Public Library.
- On Saturday, October 22, I will be one of 40+ featured artists at Artist Trust’s 30th Birthday Party. Tickets are $25 and proceeds support this amazing organization and all the hard work it does in Washington State. I have felt their impact profoundly as a recipient of their inaugural Gar LaSalle Storyteller Award. But they have been a helpful resource for me long before that; I attended a number of their grant writing workshops and compiled some of my notes in a post here.
- Finally, I’m pleased to be offering one-on-one writing coaching via Hugo House’s new manuscript consultation program. You can learn all about here.
In other news, I have a few pieces forthcoming–a collage essay about a fruit (in the meantime here’s a post I wrote about nectarines), a short story inspired by my recent trip to the Netherlands, and two short-short fairy tales. I’ll be sure to post links to these pieces as they become available.
There are just five spots left in Memory and Imagination, my one-day generative class at Hugo House. Join me for a Saturday afternoon of writing from memory and the senses! Wisdom from Rikki Ducornet, Jorge Borges, and Vladimir Nabakov will offer insight in the process. And here’s Umberto Eco on the subject, in The Name of the Rose:
“This, in fact, is the power of imagination, which, combining the memory of gold with that of the mountain, can compose the idea of a golden mountain.”
Class meets Saturday, August 13, 1-4 pm. You can register here.
I just got my contributor copy of Airplane Reading, an anthology about air travel edited by Christopher Schaberg and Mark Yakich which includes my essay “Mapping Imagination,” about traveling to Argentina to research my first novel.
I’m honored to be in some pretty outstanding company:
Lisa Kay Adam * Sarah Allison * Jane Armstrong * Thomas Beller * Ian Bogost * Alicia Catt * Laura Cayouette * Kim Chinquee * Lucy Corin * Douglas R. Dechow * Nicoletta-Laura Dobrescu * Tony D’Souza * Jeani Elbaum * Pia Z. Ehrhardt * Roxane Gay * Thomas Gibbs * Aaron Gilbreath * Anne Gisleson * Anya Groner * Julian Hanna * Rebecca Renee Hess * Susan Hodara * Pam Houston * Harold Jaffe * Chelsey Johnson * Nina Katchadourian * Alethea Kehas * Greg Keeler * Alison Kinney * Anna Leahy * Allyson Goldin Loomis * Jason Harrington * Kevin Haworth * Randy Malamud * Dustin Michael * Ander Monson * Timothy Morton * Peter Olson * Christiana Z. Peppard * Amanda Pleva * Arthur Plotnik * Neal Pollack * Connie Porter * Stephen Rea * Hugo Reinert * Jack Saux * Roger Sedarat * Nicole Sheets * Stewart Sinclair * Hal Sirowitz * Jess Stoner * Anca L. Szilágyi * Priscila Uppal * Matthew Vollmer * Joanna Walsh * Tarn Wilson.
Gosh, 2016 is really turning into the year of nonfiction. I am so excited to have an essay in The Rumpus today! Here’s how it begins:
Maybe it started with a ham sandwich.
Many thanks to editor Elissa Washuta!
“I wish people would just stop writing about the Holocaust,” a woman said to me at a national writing conference. Thus begins “Art After Auschwitz,” my feature article for Jewish in Seattle‘s history issue.
It’s such a big topic. I’d love to explore it further. I learned about so many artists, such as Israeli Maya Zack, who’s working on a film about Paul Celan, and Seattleite Leah Warshawski, whose documentary Big Sonia follows a larger-than-life survivor running a tailor shop in a dying mall outside Kansas City. I came across Ann Lipscombe, a young artist whose surreal drawing “What We Talk About When We Talk About My Jewish Nose,” stopped me in my tracks at the Jewish Art Salon’s “The Jew as Other” show in New York last December, and miniaturist Tine Kindermann, whose “Hummel Midrash” project explores the danger of kitsch and who curated “The Jew as Other” with Yona Verwer.
I’m very happy to report that “How Do I Fit This Ghost in My Mouth,” my first published poem, is up on Pacifica Literary Review’s website. The piece was inspired by Geoffrey Farmer’s exhibit of the same name at the Vancouver Art Gallery back in September. Many thanks to editor Matt Muth!
Mossy trees sprouting cherry blossoms at the University of Washington
This spring, I’m teaching a six-week class on contemporary fairy tales at Hugo House. We’ll read Angela Carter and Margaret Atwood and Sarah Shun-lien Bynum and Alissa Nutting, among other fantastic writers. We’ll talk about some of my favorite techniques, like everyday magic and intuitive magic. And we’ll try our hands at writing our own fairy tales. Class meets Wednesday nights 7-9 pm from May 25-June 29. Registration is currently open for Hugo House members; general registration opens March 22. Scholarships are available and applications are due on March 25.
Cloud cover & blossoms
I’m also teaching a 75-minute webinar on Saturday, April 16 called Powerful Objects via Inked Voices. We’ll talk about one of my favorite topics: how objects create a special kind of magic in fiction and how useful they are in developing character, plot, and emotional resonance. It’s a lecture-based class that will include writing prompts and a Q&A. The class will meet at 12 pm EST / 9 am PST and is just $25. We’ll talk about Cynthia Ozick’s story “The Shawl,” so please read that in advance. You can register here.
Speaking of fairy tales, right now at the Henry Art Gallery, you can see Paul McCarthy’s White Snow, a wildly whimsical and subversive take on Snow White. A few years ago, I saw his gonzo installation WS at the Park Avenue Armory in New York, a similarly subversive spin on Snow White but somehow less rich than the wood sculptures on view at the Henry. White Snow seems more artful, crafted, and thoughtful, whereas WS was a big raunchy frat party. The Henry is now free on Sundays (huzzah!), so go check it out. Perhaps it will inspire you!
Where is Arcimboldo when you need him?