Blue Compact Dwarf Galaxy – by NASA, ESA, and the Hubble Heritage Team (Wikimedia Commons)
Please join me at the Central Library for Elissa Washuta’s reading “Seattle’s Fremont and the Centerless Universe” on Saturday, February 18 at 2 pm. Elissa spent the summer researching and writing in the Northwest tower of the Fremont Bridge. She’ll read an excerpt of the work spun out of that residency, exploring Seattle’s waterways, bridges, and spirits. And the neon Rapunzel! It’s an honor to discuss this project with Elissa, a dear friend, fellow UW MFA alum, and ridiculously talented author.
Apropos of landscape, there are still spots available in my Hugo House class Writing About Place. Class meets Wednesdays 2/22-3/29, 5-7 pm. Want to dream up a utopia? Destroy a dystopia? Burrow into memories of home or explore a foreign city? We’ll write lots, read great stories, and maybe share some snacks from George’s, my favorite Polish deli, around the corner from Hugo House.
Looking ahead to spring, I’m teaching an online webinar on Contemporary Fairy Tales via Inked Voices on Saturday, April 29, 9 am-10:15 am PST (12 pm-1:15 pm EST). You can also opt in for a critique of a four-page fairy tale here.
Italian prune plum galaxy
I’m thrilled to have my essay “Dark Fruit: A Cultural and Personal History of the Plum” appear in the Los Angeles Review of Books today. It collages personal stories with discussions of Tolstoy, Herta Müller, Gregor von Rezzori, ancient Chinese poetry, visual art, horticulture, superstitions, and more. I’m grateful it found a home in such a fine venue!
Jacopo Ligozzi (Italian, 1547 – 1627 ), A Marmot with a Branch of Plums, 1605, brush with brown and black wash, point of the brush with black and brown ink and white gouache, and watercolor, over traces of graphite on burnished paper, Wolfgang Ratjen Collection, Purchased as the Gift of Helen Porter and James T. Dyke 2007.111.121
Find the cauliflower.
Fun news: We just installed my short story “Cauliflower Tells You” in the storefront window of V2, a temporary collaborative art space in Capitol Hill’s old Value Village. If you’re in Seattle, stop by anytime! This is part of Artist Trust‘s 30th birthday celebration, which will culminate in a party on October 22. The party will feature art, music, film, readings, and performances from:
Humaira Abid / Iole Alessandrini / Juventino Aranda / Hami Bahadori / Jana Brevick / Zachary Burns / Romson Bustillo / Blake Chamberlain / Michelle de la Vega / Ryan Feddersen / Dakota Gearhart / Leah Gerrard / Ari Glass / Lori Goldston / Dayna Hanson / Vic Haven / Gary Hill / Andrew Hoeppner / Jessica Hoffman / Jan Hopkins / Jenny Hyde / Mari Ichimasu / Todd Jannausch / Britta Johnson / Christopher Paul Jordan / Lisa Kinoshita / Robert Lashley / Cheryll Leo-Gwin / Stacey Levine / Holly Ballard Martz / Cathy McClure / Fiona McGuigan / Marilyn Montufar / Tyna Ontko / Clyde Petersen / Kristen Ramirez / George Rodriguez / Paul Rucker / Austin Stiegemeier / Anca Szilagyi / Barbara Earl Thomas / Elissa Washuta / Ellen Ziegler / More TBA!
Prior to the party on the 22nd, you can drop in during Capitol Hill Art Walk on October 13, 5-8 pm. Hope to see you on the 13th or 22nd!
A fantastic cat is one of Cauliflower’s neighbors: “Lion” by George Rodriguez.
Find the ice pick.
Examining the final product with Brian McGuigan, Artist Trust’s Program Director.
I’m back from a family trip to Orcas Island. Waiting for the ferry in Anacortes, we spotted skittering kingfishers and a great blue heron in flight–its path strangely loping. Then, in Orcas, there were the requisite cows, sheep, and horses; a buck crunching on dead leaves; and sweet doe eating dandelions. We went to the old strawberry barreling plant in the hamlet of Olga, where there are no longer any strawberry fields. And M & I baked our bones in a sauna that may have been close to 200° F. How refreshing!
Now I’m in back-to-school mode. A few tidbits of note:
- On Sunday, September 18, I’m teaching a free one-day class on contemporary fairy tales at the Capitol Hill branch of the Seattle Public Library.
- On Saturday, October 22, I will be one of 40+ featured artists at Artist Trust’s 30th Birthday Party. Tickets are $25 and proceeds support this amazing organization and all the hard work it does in Washington State. I have felt their impact profoundly as a recipient of their inaugural Gar LaSalle Storyteller Award. But they have been a helpful resource for me long before that; I attended a number of their grant writing workshops and compiled some of my notes in a post here.
- Finally, I’m pleased to be offering one-on-one writing coaching via Hugo House’s new manuscript consultation program. You can learn all about here.
In other news, I have a few pieces forthcoming–a collage essay about a fruit (in the meantime here’s a post I wrote about nectarines), a short story inspired by my recent trip to the Netherlands, and two short-short fairy tales. I’ll be sure to post links to these pieces as they become available.
Mossy trees sprouting cherry blossoms at the University of Washington
This spring, I’m teaching a six-week class on contemporary fairy tales at Hugo House. We’ll read Angela Carter and Margaret Atwood and Sarah Shun-lien Bynum and Alissa Nutting, among other fantastic writers. We’ll talk about some of my favorite techniques, like everyday magic and intuitive magic. And we’ll try our hands at writing our own fairy tales. Class meets Wednesday nights 7-9 pm from May 25-June 29. Registration is currently open for Hugo House members; general registration opens March 22. Scholarships are available and applications are due on March 25.
Cloud cover & blossoms
I’m also teaching a 75-minute webinar on Saturday, April 16 called Powerful Objects via Inked Voices. We’ll talk about one of my favorite topics: how objects create a special kind of magic in fiction and how useful they are in developing character, plot, and emotional resonance. It’s a lecture-based class that will include writing prompts and a Q&A. The class will meet at 12 pm EST / 9 am PST and is just $25. We’ll talk about Cynthia Ozick’s story “The Shawl,” so please read that in advance. You can register here.
Speaking of fairy tales, right now at the Henry Art Gallery, you can see Paul McCarthy’s White Snow, a wildly whimsical and subversive take on Snow White. A few years ago, I saw his gonzo installation WS at the Park Avenue Armory in New York, a similarly subversive spin on Snow White but somehow less rich than the wood sculptures on view at the Henry. White Snow seems more artful, crafted, and thoughtful, whereas WS was a big raunchy frat party. The Henry is now free on Sundays (huzzah!), so go check it out. Perhaps it will inspire you!
Where is Arcimboldo when you need him?
Great news! My story “Cauliflower Tells You,” which appeared in Monkeybicycle in February (on my birthday, no less), has been nominated for a Pushcart Prize. I’ve never been nominated for a Pushcart, and this might just be the strangest story I’ve ever written to date, so that is very encouraging indeed. Many thanks to editor James Tate Hill for the nomination!
Objects galore, courtesy a storefront in Astoria, Oregon. An image-based writing prompt for you.
There are still some spots in my 30-minute, $10 online class Powerful Objects
, meeting December 9 at 7 pm
. This micro-class is via OneRoom, an online platform designed specifically for creative writing classes allowing real-time interaction via video. The format of the micro-class is a great way to sneak in some writing in this busy time of year, if I do say so myself. Here is the class description:
Italo Calvino wrote that “the moment an object appears in a narrative, it is charged with a special force and becomes like the pole of a magnetic field, a knot in the network of invisible relationships.” We’ll read Kate Bernheimer’s short-short story “Pink Horse” to see how she uses imagery and detail to bring out the psychic power of a particular object. Then we’ll do a writing exercise exploring a character’s relationship with an object. Register here.
In 2016, I’m teaching 1000 Words a Week
, a six-week class in which–you guessed it–we will write 1000 words a week. It’s like NaNoWriMo but at a more merciful pace. Class meets Thursdays 7-9 pm, starting January 14. General registration opens December 8; if you’re a Hugo House member you can register today. Scholarships are available! Apply by December 14.
Class description here:
Each week we’ll write 1000 words using big-picture and fine-grain prompts. In class, we’ll lightly workshop pieces, focusing on questions like “What creates energy in this story?” and “What do you want to know more about?” Stories may be part of a larger work or stand alone. We’ll also discuss writers’ thoughts on writing, from classics like Anne Lamott’s “Shitty First Drafts” to newer essays like Rikki Ducornet’s “The Deep Zoo.” Students will leave class with 5000 new words. Register here.
Finally, I am teaching a mini-lesson called The Priceless Detail
at Hugo House’s Write-O-Rama
, this Saturday at 12 pm & 1 pm. Here is the class description:
Good liars know that selective detail, not a pile of facts, make a more convincing story. In discussing Chekhov’s exceptional use of detail, Francine Prose notes that we live in detail, remember in detail, identify, recognize, and recreate in detail. But finding the right detail in fiction takes a lot of sifting. We’ll look to excerpts from Chekhov for inspiration, then immerse ourselves in an exercise drawing on keen observations of our own experiences. Register here.
Wishing you a writing-full season & 2016!
Over on the Hugo House blog, my Classy Talk interview sheds a bit more light on my upcoming fiction workshop. Take a look, sign up, and help me spread the word about it! Class meets Wednesday nights, 7-9 pm, starting October 29. I’m already excited about the story we’ll read on the first day, a short-short by Angela Carter, which will be atmospheric and fairy tale-ish and spooky.
My student Jenelle Birnbaum’s lovely story “The Bodhisattva of the Sea,” inspired by Katinka Bock’s abstract sculptures, is up on the Henry Art Gallery’s blog. The exhibit runs until May 4, and I think I need to squeeze in another visit before then, as there was a “Profane Fireplace” that surely had a fairy tale in it.