Find the cauliflower.
Fun news: We just installed my short story “Cauliflower Tells You” in the storefront window of V2, a temporary collaborative art space in Capitol Hill’s old Value Village. If you’re in Seattle, stop by anytime! This is part of Artist Trust‘s 30th birthday celebration, which will culminate in a party on October 22. The party will feature art, music, film, readings, and performances from:
Humaira Abid / Iole Alessandrini / Juventino Aranda / Hami Bahadori / Jana Brevick / Zachary Burns / Romson Bustillo / Blake Chamberlain / Michelle de la Vega / Ryan Feddersen / Dakota Gearhart / Leah Gerrard / Ari Glass / Lori Goldston / Dayna Hanson / Vic Haven / Gary Hill / Andrew Hoeppner / Jessica Hoffman / Jan Hopkins / Jenny Hyde / Mari Ichimasu / Todd Jannausch / Britta Johnson / Christopher Paul Jordan / Lisa Kinoshita / Robert Lashley / Cheryll Leo-Gwin / Stacey Levine / Holly Ballard Martz / Cathy McClure / Fiona McGuigan / Marilyn Montufar / Tyna Ontko / Clyde Petersen / Kristen Ramirez / George Rodriguez / Paul Rucker / Austin Stiegemeier / Anca Szilagyi / Barbara Earl Thomas / Elissa Washuta / Ellen Ziegler / More TBA!
Prior to the party on the 22nd, you can drop in during Capitol Hill Art Walk on October 13, 5-8 pm. Hope to see you on the 13th or 22nd!
A fantastic cat is one of Cauliflower’s neighbors: “Lion” by George Rodriguez.
Find the ice pick.
Examining the final product with Brian McGuigan, Artist Trust’s Program Director.
My 15th set of writing prompts for the Ploughshares blog explores triangular relationships in fiction, with discussions of Mavis Gallant’s “Lena”, Gunter Grass’s The Tin Drum, and Peter Mountford’s The Dismal Science, and featuring Kathleen Skeels’ wonderfully suggestive drawings. Here’s how it begins:
In a previous blog post, I mentioned my difficulty with conflict and tension. For this reason, I love triangular relationships, which bring up conflicting desires, competing loyalties, and dilemmas. All the things that make a juicy story go. When I was just starting out writing fiction, when my writing tended to be a formless blob and I learned that good writing needs a shape, a design, I turned to the idea of things happening in threes, and then I turned to triangles. As I learned along the way, there are many, many ways you might use triangles in your fiction.
So I’ve got this reading in a month, and I’ve been thinking a lot about sound and how important reading aloud is for writing. Even without having a performance to prepare for, I like to read drafts aloud to see where they’re working or not. The story I’ll be reading this August 1, “More Like Home Than Home,” uses a lot of footnotes, which is a special listening challenge, so I’ve enlisted my friend Kristen Young to perform the story with me as the voice of the footnotes. I’m really excited to be working on this with her.
I’ve also been playing with SoundCloud and hope to record a story or novel chapter soon (and I posted a recording from my last Castalia reading for now). In the meantime, here’s a fabulous article on writing and sound from Constance Hale.
Well, it was my birthday today, and the weather was just as I like it: snow on the ground, spring in the air. Too bad I’ve got the last bits of bronchitis rattling around in me. Ah well.
Sunday night I read “A Meal” and “Lemon Tree Palace” at the Cornelia Street Cafe. As we were competing with Oscar night, and as one of the other readers was home with the plague, it was an intimate gathering, and very pleasant too. Chris Brandt read a series of poems on Thomas Jefferson, and another on Odysseus, and all were excellent. “Stars bouncing on waves” was a phrase from one of the latter that stayed with me.
After the reading, a few of us ate at the restaurant upstairs (delicious) and watched the snow come down on pretty Cornelia Street. A delightful night, with the only disconcerting bits in the fiction performed.