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Lanternfish Press To Publish My Debut Novel, Dirty

6 Mar

I am beyond thrilled to announce that Lanternfish Press is publishing my debut novel, Dirty, in late 2017 or early 2018. Dirty is a magical realist work about a teenage runaway whose father is disappeared during Argentina’s Dirty War.

The seedlings of this book emerged long, long ago, in 2001. And I worked on the first draft in fits and starts for years until I decided an MFA at the University of Washington would help me get it done. Then, mid-way through the program in 2010, Michael and I managed to travel to Argentina. (There was a pitfall to super cheap plane tickets; I wrote about it for Airplane Reading.) At graduation, my thesis advisor David Bosworth compared the process of finishing a novel to the gestation of a whale. Fast forward to 2017. Not sure which beasts gestate for 15 years. But this labor of love will see the light of day!

Lanternfish is based in Philadelphia and makes gorgeous, genre-blurring books like Vikram Paralkar’s The Afflictions and Christopher Smith’s Salamanders of The Silk Road. The moment I read Lanternfish’s cred0, I knew it would be a good fit:

READ. READ VORACIOUSLY. READ WRITERS WHO DON’T LOOK LIKE YOU. READ FOREIGN WRITERS. READ DEAD WRITERS!

Writing is a conversation. It can offer people who lead wildly different lives a window on each other’s worlds. It can bridge gaps between cultures and gulfs in time, overcoming unbearable solitudes. We tend to click with writers who’ve grappled with many stories and whose work is informed by that broader perspective.

I am so delighted they agreed.

Bright Spots of 2016

21 Dec
della_tramutatione_metallica_sogni_tre-a184

From Della tramutatione metallica sogni tre by Gio. Battista Nazari, 1571

Dang it. Despite world affairs being horrendous, I’m going to relish some good things that happened in 2016. First, I achieved my goal of obtaining 100 rejections (106!). If you’re not getting rejecting 90% of the time, you’re not aiming high enough–so goes the wisdom from Creative Capital. The fruits of this labor paid off with eight publications. Here they are, plus other goodness. (Find the zoetrope!)

 

My plans for the holidays including gorging myself on kreplach, cholent, pizza, and rainbow cookies and devouring Donna Tartt’s The Secret History and Paula Fox’s Desperate Characters. Happy winter solstice!

December Events

27 Nov
ampersand

Olympic Sculpture Park; photo by George Szilagyi

As the year winds down into its darkest days, I hope you’ll join me for one of these events. If you come to two, I will give you a lollipop.

  • Friday, December 2, at 8 pmThe Furnace Says Goodnight at Hollow Earth Radio. Thirteen Furnace writers contributed pieces that Corinne and I have woven into a single story. The pieces are at turns raw, luminous, defiant, and hopeful. I’m super excited to see the collaboration come alive on stage.  And there will be klezmer music! Please come help us celebrate our last performance. If you’re not in town, you can tune in online at hollowearthradio.org.
  • Wednesday, December 7, at 7 pm: Superfriends: Moss + Pacifica at Open Books. Two literary magazines near and dear to me are having launch parties for their latest issues. I’m in Moss #6! Pacifica published my first poem back in March.
  • Tuesday, December 13, at 7 pm: Seattle Fiction Federation at Richard Hugo House.  A fiction-full night! I’m reading alongside Steve Sibra, Lucy Hitz, and Donna Miscolta, whose story collection Hola and Goodbye just came out from Carolina Wren Press. There’s also an open mic, so come with up to 5 minutes of fiction to share.

“Don’t Worry” in Moss

17 Nov
ugo-rondinone

Don’t worry about these clowns…Ugo Ronidinone’s “Vocabulary of Solitude” at Rotterdam’s Museum Boijmans van Beunigen.

 

My story “Don’t Worry” is out in Moss, Issue 6.  Here’s how it begins:

Johnny’s teaching math in the fall and we’re on our honeymoon. Venice, Rome, Paris, Amsterdam. A whole month. Sexy sexy cities for sexy sexy times. I planned most of it. He got Amsterdam.

continue reading

I wrote the story on the way home from my trip to the Netherlands this May, after overhearing a tourist at Anne Frank House say of the diary, “it’s just paper.” It’s (unfortunately) been feeling pretty timely this past week. The trip was made possible by the Artist Trust / Gar LaSalle Storyteller Award, which brought me there to research my third novel. I’m forever grateful for that opportunity.

The story will be available in print later this year in Volume 2. If you’d like to hold the story in your hands and support a great journal, you can subscribe here!

Women in Translation Month

26 Jul

Women in Translation Month is around the corner! Last year, I compiled a list of translated books by women that I enjoyed and created a Women in Translation Bingo game. I also wrote about novellas by Marguerite Duras and Eileen Chang and poetry collections from Rocío Cerón and Angélica Freitas.

This summer has been a bit more hectic as I’ve been teaching more, taking my second novel through an eighth draft, and researching my third novel. However! I’m excited for Women In Translation Month and wanted to share with you four books on my to-read pile.

What have you been reading? WITMonth2016

“Mapping Imagination” in Airplane Reading

16 May

photo (21)I just got my contributor copy of Airplane Reading, an anthology about air travel edited by Christopher Schaberg and Mark Yakich which includes my essay “Mapping Imagination,” about traveling to Argentina to research my first novel.

I’m honored to be in some pretty outstanding company:

Lisa Kay Adam * Sarah Allison * Jane Armstrong * Thomas Beller * Ian Bogost * Alicia Catt * Laura Cayouette * Kim Chinquee * Lucy Corin * Douglas R. Dechow * Nicoletta-Laura Dobrescu * Tony D’Souza * Jeani Elbaum * Pia Z. Ehrhardt * Roxane Gay * Thomas Gibbs * Aaron Gilbreath * Anne Gisleson * Anya Groner * Julian Hanna * Rebecca Renee Hess * Susan Hodara * Pam Houston * Harold Jaffe * Chelsey Johnson * Nina Katchadourian * Alethea Kehas * Greg Keeler * Alison Kinney * Anna Leahy * Allyson Goldin Loomis * Jason Harrington * Kevin Haworth * Randy Malamud * Dustin Michael * Ander Monson * Timothy Morton * Peter Olson * Christiana Z. Peppard * Amanda Pleva * Arthur Plotnik * Neal Pollack * Connie Porter * Stephen Rea * Hugo Reinert * Jack Saux * Roger Sedarat * Nicole Sheets * Stewart Sinclair * Hal Sirowitz * Jess Stoner * Anca L. Szilágyi * Priscila Uppal * Matthew Vollmer * Joanna Walsh * Tarn Wilson.

 

 

Interview in Ordinary Madness #76

9 Mar

Yesterday I had the pleasure of chatting with Steve Barker for the 76th edition of Ordinary Madness, his Arts & Entertainment podcast. We talked about novel writing, rejection, The Furnace, the effects of winning awards, and a bit about my time at McGill University in Montreal. I also read two short-short stories, one of which is quite new. Fun!

Women in Translation

25 Jun

August is Women in Translation Month (WITMonth), designed to encourage readers, reviewers, publishers, and translators to explore more books in translation by women. If you’ve been following the VIDA count, then the grim statistics around women in translation (gathered diligently by Meytal Radzinski) is, unfortunately, not a surprise: women writers comprise only about 30% of books translated into English. As I’m passionate about cultivating a diverse literary ecosystem, this is a project near and dear to my heart. And though I’m happy WITMonth is an annual event, I’m getting started right now. Because there are SO MANY good books and I’m sure there are SO MANY MORE out there waiting to be picked up by a publisher and gobbled by readers.

I immediately pulled all the books from my shelves that fit the bill. I made a read pile and a to-be-read pile. Of the read pile, I’d like to make some recommendations, for those of you who’d like to join me in WITMonth. Read these books! And I’ll be diving into the to-be-read pile and writing about the gems in that pile in August. Read those books too! Let’s talk about ’em!

Recommended Books

Tasty pile of books in translation

Tasty pile of books in translation.

Death in Spring by Mercè Rodoreda, translated from Catalan by Martha Tennent (Open Letter, 2009). A gorgeously written and harrowing novel about cruelty among humans and violence in nature.

Days of Abandonment by Elena Ferrante, translated from Italian by Ann Goldstein (Europa Editions, 2005). A dark, slender novel about a woman abandoned by her husband spiraling into terrifying psychological territory, with a helpful dash of absurd humor and redemption. After devouring this book, anything else was VERY difficult to get into. So good. This brief review in The New Yorker is spot on. I have not cracked open her more recent Neapolitan series, but it is definitely on the docket.

The End of the Story by Liliana Heker, translated from Spanish by Andrea G. Labinger (Biblioasis, 2012). Another dark novel. I’m sensing a trend? This metafictional work explores Argentina’s Dirty War. I reviewed it for Ploughshares.

Death as a Side Effect by Ana Maria Shua, translated from Spanish by Andrea G. Labinger (University of Nebraska Press, 2010). As I note briefly in my review of Heker’s novel, Shua‘s is “dark and wry and screwed up in the best possible dystopian way.” Is it weird to quote myself? Oh well.

Dreams and Stones by Magdalena Tulli, translated from Polish by Bill Johnston (Archipelago Books, 2004). I adore Archipelago for focusing on translation and producing truly beautiful books. Dreams and Stones is probably the least dark book on my list, a kind of treatise on cities and imagination.

Mile End by Lise Tremblay, translated from French by Gail Scott (Talon Books, 2002). I read this novel a few times, starting in a class in college on literary Montreal. It’s set in the neighborhood I lived in while at McGill, which may be part of my attachment to it. And, yes, yes, this is another dark story, about an obese pianist at a ballet school teetering toward psychosis.

The Land of Green Plums by Herta Muller, translated from German by Michael Hoffman (Metropolitan Books, 1996). Muller, winner of the 2009 Nobel Prize in literature, paints a grim picture of life in Romania under Ceausescu. The language is highly poetic, and I’ve been working on an essay about it (among other things) for quite some time. In fact, the assignment I’ve given myself for the next few weeks is to cut that essay up paragraph by paragraph to figure out how to keep going with it.

Why the Child is Cooking in the Polenta by Aglaja Veteranyi, translated from German by Vincent Kling (Dalkey Archive Press, 2012). Told from the point of view of an unnamed young woman, this is the story of Romanian refugees who travel through Europe as circus performers. Yes, yes, dark. But also with absurd humor. (Some criticize Muller for being humorless. I say, bah. Read her still. Not everything is funny ha ha.)

Phew. That’s a lot of recommendations. There are more in my pile. I may write more about them. More likely I will tweet my favorite bits from them in August. But not just August. Probably all year. WITForever!

My To-Be-Read Pile. Stay tuned for reviews & more !

Another tasty pile of translated books.

Another tasty pile of translated books.

Notes from #AWP15 in Minneapolis

13 Apr
Milwaukie Ave

Historic Milwaukie Avenue in Seward, Minneapolis. The first row houses outside of NYC, built by the railroads as worker housing.

This year, AWP has been schmoozier, in a pleasant way, as I spent more time with readings, receptions, and lunch/coffee/dinner dates and less time with panels and the book fair. We took a break from the conference Friday night to see Mr. Burns at the Gutherie Theater, an apocalyptic play spanning from the near future to 75 years into the future, in which the surviving population tries to retell and recreate episodes from The Simpsons (particularly the “Cape Fear” episode) as a way of coping. Over time, The Simpsons evolves into totally weird, wonderful, and scary mythology. I highly recommend it!

The two panels I attended were excellent, and I’m posting my notes right over here:

Small is the New Big: Working with Independent Presses to Build a Literary Career

Moderator: Michelle Brower, agent at Folio Literary Management

Panelists: Molly Fuller, Production Editor of Coffee House Press; Ethan Nosowsky, Editorial Director of Graywolf Press; Erin Harris, agent at Folio Literary Management; and Cal Morgan, Executive Editor of Harper and Editorial Director of Harper Perennial.

  • Access to early and frequent publication (such as online) has allowed an enormous amount of creativity. Adventurous small presses are publishing successful works, and big houses are discovering writers earlier as a result.   -Cal Morgan
  • Small presses take on books that might not seem readily marketable from a big publisher’s perspective, but can maximize those books’ audiences.                    -Ethan Nosowsky
  • Small presses can facilitate reviews that build the writer’s readership.     -Erin Harris
  • The reputation and backlist of a small press have cultural capital.                           -Molly Fuller
  • Small presses are also an opportunity for seasoned authors to try something new. -Michelle Brower
  • Many authors who work with both small and big presses are big supporters of new writers and facilitate connections.                               -Cal Morgan
  • It was a relief to hear all the panelists are avid readers of small press books!

Examples of successes:

  • Eiomear McBride’s A Girl is a Half-Formed Thing, published by Coffee House after the author spent 10 years trying to get it published and being told the publishers loved it but thought readers wouldn’t enjoy it. You may already know the book is enormously successful. 
  • Erin Harris found short story writer Stacy Tintocalis after reading her collection The Tiki King, published by Swallow Press, an imprint of Ohio University Press, and discovered Brian Furuness, author of The Lost Episodes of Revie Bryson (Dzanc) after reading two of his stories in literary magazines.
  • Graywolf Press published a 20-year retrospective of Geoff Dyer’s essays and was able to do so  successfully based on its backlist of essay collections.
  • Cal Morgan discovered Blake Butler after publishing his short stories in the blog Fifty-Two Stories; he went on to publish three books from Butler, and Butler connected him to more authors.

It’s a Crime to Skip this Panel: Approaches to Crime Fiction

(Nb. The authors on this panel have multiple books out–see the link above for a more expansive list.)

Moderator: Michael Kardos, author of Before He Finds Her.

Panelists: Joy Castro, author of Hell or High Water; Chris Abani, author of Secret History of Las Vegas; Christopher Coake, author of You Came Back; Lori Rader-Day, author of The Black Hour.

  • Much of great literature (Beloved, The Great Gatsby) spins around a crime. -Michael Kardos
  • Joy Castro explores the chasm between the ideal of legal justice and its reality. She asks: whose law? To control whose bodies is the law written? Who is permitted to get away with crime? Who isn’t? How does the aftermath manifest?
  • The best suspense comes from characters: embed them with contradictions and set them loose. Don’t choose a main character who knows everything.    -Joy Castro
  • Misdirections and clues should all arise from point of view: different characters will pick up on different things. -Lori Rader-Day
  • Think of pacing as interval training, alternating between intense, fast-paced, action-packed scenes and more quiet, emotional scenes. -Joy Castro
  • Every story is a riddle. Stories trace an outline for the riddle of living. We don’t care about characters who are not fucked up.       -Chris Abani
  • Good art sets out to do something and does it. That’s all there is. There are no genres. -Chris Abani
  • Finding the voice of the novel is key to finding the novel. -Joy Castro
  • Structure is the skeleton of a book. Voice is its soul, its reason for existence. -Chris Abani
  • If you’re a surgeon and remove the wrong kidney, that’s bad. You have so many opportunities to get your book right.                             -Michael Kardos

On research:

  • Read two books then close your eyes. -Christopher Coake
  • Write the book before you do research, then research what you need to know. -Lori Rader-Day
  • Research a lot then forget it. Don’t write with your notes open; the divine details will come to you. -Joy Castro (My preferred approach…I love research and tend to pick stories that require it.)
  • The only question you need is “Why?” -Chris Abani

Book Fair Loot!

I sprinted through the book fair in the last 45 minutes on Saturday. I managed to get something from every genre, as well something from every “genre” of book fair stuff: freebies, cheapies, full price-ys, a notepad, bookmarks, and even an adorable pinwheel from Pacifica Literary Review, fashioned from pages of poetry.

I’m also happy to discover that Twitter *can* work for authors. Shulem Deem, author of the memoir All Who Go Do Not Return (Graywolf Press) followed me on Twitter several months ago; I was intrigued by the premise of his memoir, which is about leaving the Hasidic Jewish community; and his was the first book I bought at the fair. Can’t wait to read it.

See you in L.A. in 2016!

bookfairloot

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