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November News

17 Nov
Discovery Park

Discovery Park

Well, gosh, November snuck up on me! I try not to let a whole month go by without popping in over here, so here’s what’s been cooking.  Daughters of the Air will be out in 18 days (you might add it to your Goodreads list to be notified of giveaways); the last several weeks featured early mornings hunched over my laptop pitching book critics and events to bookstores and a handful of book clubs. Anxiety-fueled self-googling is at peak levels, which, yes, I know I should not be doing. But every now and again someone says something lovely about the book, which, as I’ve said on Instagram, has me rolling around like a happy puppy. (Also: I am increasingly on Instagram, where I overuse creepy filters, such in the photo above.)

Suzzallo

The University of Washington’s Suzzallo Library, where I recently managed to claw my way back into Novel #2.

I just finished teaching for the first time a fiction thesis writing class in the online MA program I work for. It’s an interesting class that coaches students through the first 30-50 pages of a novel or story collection, and I am embarking upon it once again very soon, just as my own novel will be hitting shelves. Our final week’s discussion on paths to publication (traditional vs. hybrid vs. self-publishing) will be rather timely.  In related news, as I head out on book tour next year, I’ll be teaching online for Hugo House as well: an eight-week intermediate fiction class touching on point of view, dialogue, and scene construction. Watch for one-day classes at Chicago’s StoryStudio and Port Townsend’s Writers’ Workshoppe!

 

teaAmidst all this activity, I’m looking forward to some holiday downtime, if that is even possible. Lately I’ve been starting my day with Anne Carson’s Plainwater and ending it with Mavis Gallant’s A Fairly Good Time: a superb literary sandwich. Before the year is over, I hope to get to Nathaniel Hawthorne’s Gothic novel The House of the Seven Gables. I picked it up from a used bookstore in Montreal, The Word, just before graduating from college…in 2004. Yes, I guess it’s about time I get to that one.

Stay tuned for stories forthcoming from Lilith Magazine, the New Zealand-based Geometry, and the new Pacific Northwest-based Cascadia Magazine. If you’d like monthly news in your in-box, which will include information for upcoming events across the country, you can sign up here. Until launch day!

Pre-orders for DAUGHTERS OF THE AIR

26 Sep

dota-cover

Oh boy, oh boy! Things are getting real. My debut novel, Daughters of the Air (formerly known as Dirty), will be released on December 5, 2017. You can pre-order it starting today: from your local independent bookstore (like Elliott Bay Book Company) via IndieBound, directly from Lanternfish Press, Barnes & Noble, and Amazon.

Why are pre-orders important? Well, they show booksellers there’s enthusiasm for the book, which means they order more books, and they all count towards the first week of sales–so the accumulation of pre-orders gives books a shot at the bestseller list in the first week it’s out.

This has been such a long time in the making; the seedlings were planted as far back as 2001, when I spent a month at the National Institutes of Health, recovering from surgery. In fact, I have a very personal essay about that time, and how I decided to seriously pursue writing, in Catapult today. You can read “Art Therapy Before Surgery” here. Then, come see all the incredibly kind things people are saying about the book here.

I love the cover art by Nichole DeMent, a piece called “Bird Moon” that was originally mixed media encaustic. I can’t stop staring at it. Nichole’s work is super dreamy, and I’ve coveted it for my novel since coming across it in 2013. Over on Lanternfish Press’s blog, I shared more thoughts on Nichole’s work and how my writing process draws from visual art. I’ve been hugging my advanced review copy since it arrived in August and have been so grateful for editorial director Christine Neulieb‘s championing of the book as well as all the good, hard work going on at Lanternfish Press.

If you’re in Seattle, please come to the launch party at the Hotel Sorrento, hosted by Hugo House, on the night of the release, December 5, at 7:30 pm!

Want to stay in the loop about other events and related hooplah? Subscribe to my short & sweet monthly newsletter here. Thank you for your support!

 

Fall Classes at Hugo House

15 Aug
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A fresh green chestnut

Sharpen your pencils: I’m teaching two classes at Hugo House this fall. Member registration opens today and general registration opens August 22. Scholarships are available: apply here by August 25!

  • Wall-to-Wall Writing Prompts will be a fun-for-everyone one-day writing bonanza. I’m bringing in all my favorite prompts. If you’re eager to kick start some new writing, this one’s for you. Come with some overheard lines of dialogue and leave with six story openings and a plan to finish at least one. Meets Saturday, September 30, 1-4 pm. Sliding scale pricing available for this class. Please call Hugo House at (206) 322-7030.
  • Fiction I  is a six-week intro to fiction, with a special focus on character, plot, and landscape. We’ll read short stories from James Joyce, Jamaica Kincaid, Flannery O’Connor, Sherman Alexie, and Louise Erdrich, among others. Writing prompts in and out of class will be geared toward writing a short story, though of course all the skills covered are applicable to novels. We’ll also learn the basics of the workshop model. Meets Saturdays from October 14 to November 18, 1-3 pm.

Hope to see you then!

Upcoming Events: Elissa Washuta’s Centerless Universe & More

7 Feb
IDL TIFF file

Blue Compact Dwarf Galaxy – by NASA, ESA, and the Hubble Heritage Team (Wikimedia Commons)

 

Please join me at the Central Library for Elissa Washuta’s reading “Seattle’s Fremont and the Centerless Universe” on Saturday, February 18 at 2 pm. Elissa spent the summer researching and writing in the Northwest tower of the Fremont Bridge. She’ll read an excerpt of the work spun out of that residency, exploring Seattle’s waterways, bridges, and spirits. And the neon Rapunzel! It’s an honor to discuss this project with Elissa, a dear friend, fellow UW MFA alum, and ridiculously talented author.

Apropos of landscape, there are still spots available in my Hugo House class Writing About Place. Class meets Wednesdays 2/22-3/29, 5-7 pm. Want to dream up a utopia? Destroy a dystopia? Burrow into memories of home or explore a foreign city?  We’ll write lots, read great stories, and maybe share some snacks from George’s, my favorite Polish deli, around the corner from Hugo House.

Looking ahead to spring, I’m teaching an online webinar on Contemporary Fairy Tales via Inked Voices on Saturday, April 29, 9 am-10:15 am PST (12 pm-1:15 pm EST). You can also opt in for a critique of a four-page fairy tale here.

Winter Class: Writing About Place

14 Dec

pieter_bruegel_the_elder_-_hunters_in_the_snow_winter_-_google_art_projectPieter Bruegel the Elder – Hunters in the Snow (Winter) – 1565

This winter, I’m teaching Writing About Place at Hugo House. In this six-week class, we’ll read stories by Flannery O’Connor, Louise Erdrich, and Ursula LeGuin, among other illustrious authors. We’ll write about places we know, places we don’t know, and places that exist only in our imaginations. And, we’ll talk about memory, research, and world building.

 

Class meets Wednesdays 5-7 pm from 2/22-3/29. Hugo House is located in First Hill, an easy-peasy trip from downtown and right next to the always-free Frye Art Museum. Speaking of place, if you’ve not been to the Hugo House’s temporary home, you’re in for treat, with a light-filled atrium and mysterious winding hallways.  Registration is now open. The scholarship deadline is 12/16 and there’s an early bird discount until 12/19! Hope to see you there.

Kingfishers, herons, news

9 Sep

photo-24I’m back from a family trip to Orcas Island. Waiting for the ferry in Anacortes, we spotted skittering kingfishers and a great blue heron in flight–its path strangely loping. Then, in Orcas, there were the requisite cows, sheep, and horses; a buck crunching on dead leaves; and sweet doe eating dandelions. We went to the old strawberry barreling plant in the hamlet of Olga, where there are no longer any strawberry fields. And M & I baked our bones in a sauna that may have been close to 200° F. How refreshing!photo-27

Now I’m in back-to-school mode. A few tidbits of note:

  • On Sunday, September 18, I’m teaching a free one-day class on contemporary fairy tales at the Capitol Hill branch of the Seattle Public Library.
  • On Saturday, October 22, I will be one of 40+ featured artists at Artist Trust’s 30th Birthday Party. Tickets are $25 and proceeds support this amazing organization and all the hard work it does in Washington State. I have felt their impact profoundly as a recipient of their inaugural Gar LaSalle Storyteller Award. But they have been a helpful resource for me long before that; I attended a number of their grant writing workshops and compiled some of my notes in a post here.
  • Finally, I’m pleased to be offering one-on-one writing coaching via Hugo House’s new manuscript consultation program. You can learn all about here.

In other news, I have a few pieces forthcoming–a collage essay about a fruit (in the meantime here’s a post I wrote about nectarines), a short story inspired by my recent trip to the Netherlands, and two short-short fairy tales. I’ll be sure to post links to these pieces as they become available.

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Aside

Memory and Imagination at Hugo House

14 Jul

There are just five spots left in Memory and Imagination, my one-day generative class at Hugo House. Join me for a Saturday afternoon of writing from memory and the senses! Wisdom from Rikki Ducornet, Jorge Borges, and Vladimir Nabakov will offer insight in the process. And here’s Umberto Eco on the subject, in The Name of the Rose:

“This, in fact, is the power of imagination, which, combining the memory of gold with that of the mountain, can compose the idea of a golden mountain.”

Class meets Saturday, August 13, 1-4 pm. You can register here.

Springtime Readings

23 Feb

photo (18)Behold, Seattle’s gloriously long spring, stretching from February to late June. In my youth, the colors of my birthday month featured gray slush and the unnatural blue icing on Carvel ice cream cakes. Now, there is a profusion of pink in all the azaleas, rhododendrons, early cherry blossoms, meaty camellias.

Speaking of meat, I’m reading at a”Moveable Feast” themed reading on Saturday, March 5 at 7 pm, alongside my fellow Jack Straw‘ster Bernard Grant and Emily Holt. They’re promising a themed cocktail and open mic to follow, so come have a drink and bring food-themed work to share. This will be at a private home in Madrona on 34th and Columbia, as a part of the roving Makeshift Reading Series. Incidentally, this is also the second time I’m reading at a private home, which is just a lovely experience. A few weeks ago, I read at a party Artist Trust threw for me (!), hosted by Gar LaSalle. It was surreal and delightful and an honor. Pictures here!

Then on Wednesday, April 6 at 7 pm, I’m reading at the third anniversary edition of Lit Fix at Chop Suey, alongside Anastacia Tolbert, Michelle Peñaloza, Sean Beaudoin, Gint Aras, and acoustic solo project The Wild. I’ll be reading nonfiction, a genre I’ve been diving deeper into in the last year or so, and which I’ve never performed before.

Lastly, on Wednesday, April 13, I’m returning to Castalia, the University of Washington MFA program’s monthly series at Hugo House. Details on the line up to come!

I’ll have copies of my chapbook I Loved You in New York on hand at each of these readings, for $5. You can also get them from alice blue books at the APRIL book expo on March 20, at AWP in Los Angeles March 31-April 2, or via Etsy.

Upcoming Classes

1 Dec
Strange trinkets and doo-dads on display in Astoria, Oregon.

Objects galore, courtesy a storefront in Astoria, Oregon. An image-based writing prompt for you.

There are still some spots in my 30-minute, $10 online class Powerful Objects, meeting December 9 at 7 pm.  This micro-class is via OneRoom, an online platform designed specifically for creative writing classes allowing real-time interaction via video. The format of the micro-class is a great way to sneak in some writing in this busy time of year, if I do say so myself. Here is the class description:
Italo Calvino wrote that “the moment an object appears in a narrative, it is charged with a special force and becomes like the pole of a magnetic field, a knot in the network of invisible relationships.” We’ll read Kate Bernheimer’s short-short story “Pink Horse” to see how she uses imagery and detail to bring out the psychic power of a particular object. Then we’ll do a writing exercise exploring a character’s relationship with an object. Register here.
In 2016, I’m teaching 1000 Words a Week, a six-week class in which–you guessed it–we will write 1000 words a week. It’s like NaNoWriMo but at a more merciful pace. Class meets Thursdays 7-9 pm, starting January 14. General registration opens December 8; if you’re a Hugo House member you can register today. Scholarships are available! Apply by December 14. Class description here:
Each week we’ll write 1000 words using big-picture and fine-grain prompts. In class, we’ll lightly workshop pieces, focusing on questions like “What creates energy in this story?” and “What do you want to know more about?” Stories may be part of a larger work or stand alone. We’ll also discuss writers’ thoughts on writing, from classics like Anne Lamott’s “Shitty First Drafts” to newer essays like Rikki Ducornet’s “The Deep Zoo.” Students will leave class with 5000 new words. Register here.
Finally, I am teaching a mini-lesson called The Priceless Detail at Hugo House’s Write-O-Rama, this Saturday at 12 pm & 1 pm.  Here is the class description:
Good liars know that selective detail, not a pile of facts, make a more convincing story. In discussing Chekhov’s exceptional use of detail, Francine Prose notes that we live in detail, remember in detail, identify, recognize, and recreate in detail. But finding the right detail in fiction takes a lot of sifting. We’ll look to excerpts from Chekhov for inspiration, then immerse ourselves in an exercise drawing on keen observations of our own experiences. Register here.
Wishing you a writing-full season & 2016!

What Makes a Story “Chekhovian”?

3 Apr

I’m really looking forward to teaching a new short story class at Hugo House about Anton Chekhov and his influence on modern short story writing. So many craft techniques in wide use today originated from Chekhov, and I learned a lot deeply engaging with his stories. In fact, my story “Old Boyfriends” started out as an imitation of the structure and themes in “Gusev“. In addition to reading iconic stories from Chekhov, we’ll read Mavis Gallant and Jhumpa Lahiri and Ehud Havazelet, and try our hands at a range of techniques. Here’s a micro-lesson preview of the class. I hope to see there, Mondays 7-9 pm, starting April 27!

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