Photo by Michael Podlasek Kent
Sea-creature-esque peeling paint in the Smith-9th train station -Photo by Michael Podlasek Kent
Belgrano, Buenos Aires
Flying over South America
I am beyond thrilled to announce that Lanternfish Press is publishing my debut novel, Dirty, in late 2017 or early 2018. Dirty is a magical realist work about a teenage runaway whose father is disappeared during Argentina’s Dirty War.
The seedlings of this book emerged long, long ago, in 2001. And I worked on the first draft in fits and starts for years until I decided an MFA at the University of Washington would help me get it done. Then, mid-way through the program in 2010, Michael and I managed to travel to Argentina. (There was a pitfall to super cheap plane tickets; I wrote about it for Airplane Reading.) At graduation, my thesis advisor David Bosworth compared the process of finishing a novel to the gestation of a whale. Fast forward to 2017. Not sure which beasts gestate for 15 years. But this labor of love will see the light of day!
Lanternfish is based in Philadelphia and makes gorgeous, genre-blurring books like Vikram Paralkar’s The Afflictions and Christopher Smith’s Salamanders of The Silk Road. The moment I read Lanternfish’s cred0, I knew it would be a good fit:
READ. READ VORACIOUSLY. READ WRITERS WHO DON’T LOOK LIKE YOU. READ FOREIGN WRITERS. READ DEAD WRITERS!
Writing is a conversation. It can offer people who lead wildly different lives a window on each other’s worlds. It can bridge gaps between cultures and gulfs in time, overcoming unbearable solitudes. We tend to click with writers who’ve grappled with many stories and whose work is informed by that broader perspective.
I am so delighted they agreed.
Pieter Bruegel the Elder – Hunters in the Snow (Winter) – 1565
This winter, I’m teaching Writing About Place at Hugo House. In this six-week class, we’ll read stories by Flannery O’Connor, Louise Erdrich, and Ursula LeGuin, among other illustrious authors. We’ll write about places we know, places we don’t know, and places that exist only in our imaginations. And, we’ll talk about memory, research, and world building.
Class meets Wednesdays 5-7 pm from 2/22-3/29. Hugo House is located in First Hill, an easy-peasy trip from downtown and right next to the always-free Frye Art Museum. Speaking of place, if you’ve not been to the Hugo House’s temporary home, you’re in for treat, with a light-filled atrium and mysterious winding hallways. Registration is now open. The scholarship deadline is 12/16 and there’s an early bird discount until 12/19! Hope to see you there.
My story “Don’t Worry” is out in Moss, Issue 6. Here’s how it begins:
Johnny’s teaching math in the fall and we’re on our honeymoon. Venice, Rome, Paris, Amsterdam. A whole month. Sexy sexy cities for sexy sexy times. I planned most of it. He got Amsterdam.
I wrote the story on the way home from my trip to the Netherlands this May, after overhearing a tourist at Anne Frank House say of the diary, “it’s just paper.” It’s (unfortunately) been feeling pretty timely this past week. The trip was made possible by the Artist Trust / Gar LaSalle Storyteller Award, which brought me there to research my third novel. I’m forever grateful for that opportunity.
The story will be available in print later this year in Volume 2. If you’d like to hold the story in your hands and support a great journal, you can subscribe here!
Italian prune plum galaxy
I’m thrilled to have my essay “Dark Fruit: A Cultural and Personal History of the Plum” appear in the Los Angeles Review of Books today. It collages personal stories with discussions of Tolstoy, Herta Müller, Gregor von Rezzori, ancient Chinese poetry, visual art, horticulture, superstitions, and more. I’m grateful it found a home in such a fine venue!
Jacopo Ligozzi (Italian, 1547 – 1627 ), A Marmot with a Branch of Plums, 1605, brush with brown and black wash, point of the brush with black and brown ink and white gouache, and watercolor, over traces of graphite on burnished paper, Wolfgang Ratjen Collection, Purchased as the Gift of Helen Porter and James T. Dyke 2007.111.121
Find the cauliflower.
Fun news: We just installed my short story “Cauliflower Tells You” in the storefront window of V2, a temporary collaborative art space in Capitol Hill’s old Value Village. If you’re in Seattle, stop by anytime! This is part of Artist Trust‘s 30th birthday celebration, which will culminate in a party on October 22. The party will feature art, music, film, readings, and performances from:
Humaira Abid / Iole Alessandrini / Juventino Aranda / Hami Bahadori / Jana Brevick / Zachary Burns / Romson Bustillo / Blake Chamberlain / Michelle de la Vega / Ryan Feddersen / Dakota Gearhart / Leah Gerrard / Ari Glass / Lori Goldston / Dayna Hanson / Vic Haven / Gary Hill / Andrew Hoeppner / Jessica Hoffman / Jan Hopkins / Jenny Hyde / Mari Ichimasu / Todd Jannausch / Britta Johnson / Christopher Paul Jordan / Lisa Kinoshita / Robert Lashley / Cheryll Leo-Gwin / Stacey Levine / Holly Ballard Martz / Cathy McClure / Fiona McGuigan / Marilyn Montufar / Tyna Ontko / Clyde Petersen / Kristen Ramirez / George Rodriguez / Paul Rucker / Austin Stiegemeier / Anca Szilagyi / Barbara Earl Thomas / Elissa Washuta / Ellen Ziegler / More TBA!
Prior to the party on the 22nd, you can drop in during Capitol Hill Art Walk on October 13, 5-8 pm. Hope to see you on the 13th or 22nd!
A fantastic cat is one of Cauliflower’s neighbors: “Lion” by George Rodriguez.
Find the ice pick.
Examining the final product with Brian McGuigan, Artist Trust’s Program Director.
The podcast from my 2015 Jack Straw fellowship is now up on their blog. Curator Kevin Craft spoke with me about my novel-in-progress PARALEGAL and the creative process. Then I read an excerpt, featuring, among other things, cabbage and spite. (Per Levi Fuller’s recommendation, I might retitle it CABBAGE AND SPITE.)
Here’s how the podcast begins:
Sometimes she wondered if part of her motivation to pursue art was simply spite.
You can pick up an anthology with this excerpt and those of all the 2015 fellows here. Many thanks to Kevin Craft, Levi Fuller, Joan Rabinowitz, and everyone at Jack Straw Cultural Center!
Women in Translation Month is around the corner! Last year, I compiled a list of translated books by women that I enjoyed and created a Women in Translation Bingo game. I also wrote about novellas by Marguerite Duras and Eileen Chang and poetry collections from Rocío Cerón and Angélica Freitas.
This summer has been a bit more hectic as I’ve been teaching more, taking my second novel through an eighth draft, and researching my third novel. However! I’m excited for Women In Translation Month and wanted to share with you four books on my to-read pile.
What have you been reading?
Gosh, 2016 is really turning into the year of nonfiction. I am so excited to have an essay in The Rumpus today! Here’s how it begins:
Maybe it started with a ham sandwich.
Many thanks to editor Elissa Washuta!
Yesterday I had the pleasure of chatting with Steve Barker for the 76th edition of Ordinary Madness, his Arts & Entertainment podcast. We talked about novel writing, rejection, The Furnace, the effects of winning awards, and a bit about my time at McGill University in Montreal. I also read two short-short stories, one of which is quite new. Fun!