Tag Archives: Anton Chekhov

What Makes a Story “Chekhovian”?

3 Apr

I’m really looking forward to teaching a new short story class at Hugo House about Anton Chekhov and his influence on modern short story writing. So many craft techniques in wide use today originated from Chekhov, and I learned a lot deeply engaging with his stories. In fact, my story “Old Boyfriends” started out as an imitation of the structure and themes in “Gusev“. In addition to reading iconic stories from Chekhov, we’ll read Mavis Gallant and Jhumpa Lahiri and Ehud Havazelet, and try our hands at a range of techniques. Here’s a micro-lesson preview of the class. I hope to see there, Mondays 7-9 pm, starting April 27!

Intro to Fiction: Writing the Short Story

21 Nov

This winter, I’m teaching Intro to Fiction: Writing the Short Story, a six-week class at Hugo House laying out crucial elements of story. Here’s the course description:

This class will zero in on the three-part backbone of story: character, plot, and landscape. Who is your main character? What do they want? What keeps them from getting what they want? Readings and discussions will include canonical and contemporary stories from James Joyce, Anton Chekhov, Mavis Gallant, Jamaica Kincaid, Louise Erdrich, and others. Writing exercises will focus on crucial craft elements as well as generative exercises to get started.

I’m also teaching a special one-day class at the Henry Art Gallery in conjunction with Ann Hamilton’s show the common S E N S E, which I’ll write more about in a separate post. Registration for Hugo House members begins on December 9 and for the general public on December 16. Hope to see you there!

“Old Boyfriends” in Propeller Magazine

2 Dec

My short story “Old Boyfriends” is in Propeller Magazine this week. Here’s how it starts:

It’s four p.m.: the sun is gone.

Sandra, a graduate student in archaeology, lurches forward with the bus along Avenue du Parc.

“This roof’s all bone,” Sandra says, rapping her knuckles to her skull.

continue reading

Back in my MFA program at the University of Washington, I took two “creative writer as critical reader” classes (my favorite classes from the program) one after the other, in poetry with Heather McHugh and then prose with David Bosworth, my adviser. Heather brought in a translation of Anton Chekhov’s story “Gusev” that she’d been working on with Nikolai Popov, a prose-bone to throw at the small contingent of prosers in her class. At first, I bristled against the story, feeling disoriented in its dark, suffocating setting. But the ending was wonderful and the more I read it, the more I loved the whole thing. I loved seeing how the story opened up with Gusev sinking in the ocean among the sharks and the pilot fish and how the light in the sky shifted to green, to violet, to gold, to rose. In David’s class, we were invited to choose a short story that we wanted to study deeply and either imitate or take its structure and themes and write a story we’d already been wanting to write within that structure or launching off of it somehow. I chose the latter, among other things making Gusev’s ship into Sandra’s city bus and kind of letting the story take over from there. Dan DeWeese, the editor of Propeller, had a couple wonderful suggestions that ultimately took the story away from the exercise and made me excited about the story all over again, since writing that first draft back in 2010.
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