Tag Archives: fiction

Going to AWP Without Really Going to AWP: A Post-AWP Report

2 Apr

This past weekend was my sixth time attending the AWP conference. My first was in New York in 2008, an overwhelming affair of 8,000 writers crammed into a couple Midtown hotels. That year, I sat on the floor beside a woman from Texas Tech who thought my plan to wait five years before getting an MFA was absurd. The next thing I knew, I was working as a paralegal to save money for graduate school, and by August 2009, I had a full ride to the University of Washington and Michael and I moved cross-country to Seattle. You could say that AWP changed our life pretty radically.

Over the years, we went to a smattering of conferences, but each year I went to fewer and fewer panels, as they tend to repeat and I learned you can only soak up so much information. In 2015 in Minneapolis, I mostly had lunch and dinner with friends, a most pleasant experience, but I’d realized the conference fee had been a waste. Next time, I resolved, I would go to AWP without going to AWP.

Last year in Tampa, with my novel just out, I didn’t get to do that. But *this* year, in Portland, it finally happened, and I highly recommend it to folks who’ve been around the AWP block. I was more relaxed. More hydrated! I had time to stay on top of my online teaching, so less stressed.

Now for some highlights:

Wednesday night, we started at The Old Portland, a wine bar owned by Courtney Taylor-Taylor of the Dandy Warhols. They only serve old French wine; I misheard the description of the Corsican rosé as “foggy” and enjoyed it very much; Michael enjoyed a ten-year-old red Bordeaux. Then, the very Portland-y (more stoner than twee Portlandia) bartender said, “Yeah, we don’t like advertise or anything,” and showed us the Odditorium, the band’s 10,000-foot “clubhouse,” where they rehearse, record, film music videos, and the like. It was cavernous and quiet. Michael, a big Dandy Warhols fan, was in heaven.

“Ice Cream,” the mono-print I made at VSC when I was sad that the ice cream shop had closed and there was no ice cream to be had.

Thursday afternoon, we went to the Vermont Studio Center alumni happy hour. I’d finished a first draft of Daughters of the Air there back in 2007. Three former literary staff read poetry from their recent releases. A line from Nandi Comer’s American Family: A Syndrome: “If there is blood, the artist has chosen to omit it.” Ryan Walsh spoke of the connection between visual art and writing at VSC (I still cherish learning how to make a mono-print there) and vegetable poems. Zayne Turner read from “Her Radioactive Materials.”

Most of the other readings I attended featured numerous readers, so, forthwith, more of a collage:

Reading “Cauliflower Tells You

At Strange Theater: A Fabulist Reading, there were spiders and trousseaus and swans roasted in revenge and Japanese monsters and red rooms and porcine men and tyrants and cauliflower-fueled murder. A doll’s head was raffled off, among other trinkets; I offered a rare talisman of Cyndi Lauper’s trip to Yemen.

Friday, we went to the PageBoy Magazine Happy Hour, featuring 17-word poems and prose. It was a fun afternoon of zingy one-liners and dreamy experimental works and Gertrude Stein jokes. Then we were off to Literary Bingo with Lilla Lit, a new Portland-based reading series; it was fast and furious with four-minute readings (a loud buzzer ushered off writers going over). Chocolate was pelted at every shout of “bingo!”; I caught a peanut-butter ball overhead with my left hand and won a copy of Jennifer Perrine’s In the Human Zoo. I also read a poem and someone won a copy of Daughters of the Air. All readings should have strict word and time limits and buzzers and prizes!

Saturday, we paid $5 to get into the convention center book fair. I had a lovely time chatting with Chicago-based folks in advance of our move (yes! big news tucked away over here; more on that in a future post), signing books at the Lanternfish Press table, and seeing fellow LFP authors Charles J. Eskew (Tales of the Astonishing Black Spark) and Andrew Katz (The Vampire Gideon’s Suicide Hotline and Halfway House for Orphaned Girls). It was also super cool meeting Carmen Maria Machado, who signed Her Body and Other Parties and Carmilla, an LFP reprint of a lesbian vampire romance that predates Dracula, with a Borgesian introduction and footnotes by Machado.

Fun!

We also picked up a whole slew of poetry in translation (from Romanian and Hebrew), essays on art, novels, short story collections. I can’t wait to read it all! Our last stop was the Northwest Micropress Fair at the Ace Hotel, where I signed copies of Sugar, my chapbook from Chin Music Press, and hung out with regional small presses, which felt like a special little send off before we leave the Pacific Northwest.

I heard that the conference had ballooned to 12,000 (15,000?) attendees. Amazing! Perhaps, perhaps, we’ll be in San Antonio next year, and if not San Antonio, Kansas City, and if not Kansas City, Philadelphia…?

Sugar at the Chin Music Press shop and online

19 Nov

On Friday, I stopped by the Chin Music Press shop in Pike Place Market to sign copies of Sugar, my new chapbook, and Daughters of the Air. You can pop in to pick up copies while they last! (Also, get yourself a treat. I enjoyed a sesame red bean ball: crispy, glutinous, gooey, delightful.) Not in Seattle? You can order Sugar from Chin Music Press online right over here.

Set scene by poet & nonfiction author Michael Schmeltzer. Thank you, Michael!

Miscellaneous updates: a q & a at The Seattle Review of Books, a review of DAUGHTERS OF THE AIR, an author-editor panel

7 Jul

 

My, My, My, My, My by Tara Hardy

Some heartbreaking poems I’ve been reading.

The Seattle Review of Books invited me to participate in their fun & breezy column, “Whatcha Reading?” I touched on dark psychological fiction, heartbreaking poetry, an essay on the cleverness of crows, and more. Something for everyone! Plus: a preview of some Women in Translation Month picks.

Over on the Magic Realism blog, Zoe Brooks had this to say about Daughters of the Air: “In every way this is a mature intelligent book which may not suit all readers, but it is an example of how magic realism is so suited to ambiguity and  to difficult subjects.” You can read the whole review here.

 

Also, I wrote a very personal essay about life choices here on Healthline.

Finally, this Monday at 6:30 pm at the Phinney Neighborhood Association, I will be participating in a panel discussion on the author-editor relationship at the Northwest Independent Editors’ Guild. The panel will include Dave Boling, author of The Lost History of Stars and Jamie Swenson of the University of Washington marketing and communications department. Matthew Bennett of the guild will moderate. Not in town but curious about the topic? You can tune in live on YouTube.

“Sneaking into Dr. Zhivago” in Confrontation

22 Jun

I’m excited to have a new short story, “Sneaking Into Dr. Zhivago,” in the spring issue of Confrontation. It’s an honor to be in a journal that’s published the likes of Cynthia Ozick and Joseph Brodsky! Here’s how the story begins:

If not Paris, Vienna. That’s where I should have landed. My father sent my brother to medical school in Vienna, and I, I was being groomed for the Sorbonne. I would have studied history. And literature. Between the wars, many of my cousins moved to Vienna, London, New York. Children of my seven uncles.

Below you’ll find a photo of the first page of the story so you can get more a taste of it. If you’re intrigued, you can order a copy for just $12!

“Scrolling Through the Feed” in Cascadia Magazine

30 Jan

Eric Carle's illustration of "Big Klaus, Little Klaus"

Eric Carle’s illustration of “Big Klaus, Little Klaus” in Seven Stories by Hans Christian Andersen has haunted me since childhood. When I imagined the bandits in “Scrolling Through the Feed” doing something nefarious in Interlaken Park, I pictured them in smudgy colors like this.

Over the summer, while immersing myself in Jess Walter’s fiction in preparation for interviewing him in December (you can now watch his Word Works talk on time, and the Q & A,  here on YouTube), I reread his story “Don’t Eat Cat” and felt compelled to write my own zombie story. And, because it’s me, it’s a bit a fairy tale-ish. “Scrolling Through the Feed” went online this morning in Cascadia Magazine, a new publication focusing on the Pacific Northwest, from British Columbia to Oregon. I’m happy there’s a new venue gathering long-form journalism, fiction, and poetry from the region, and one that that thinks beyond our borders.

It feels somehow appropriate for the story to go up on the same day of the State of the Union, which I will not watch. Thankfully, I’m reading tonight at the Literary Happy Hour at Capitol Cider, alongside Bill Carty, Jarret Middleton, and Jekeva Philips, hosted by Josh Potter. It runs from 5-7 pm. In line with their “drafts and drafts” theme, I’ll give a micro-craft talk on one of the earliest inspirations for Daughters of the Air.  Speaking of which, this is your last chance (ever?) to enter to win a free copy of the novel on Goodreads.  Go get it!

DAUGHTERS OF THE AIR Compared to Le Guin in Locus Magazine

15 Jan

Locus-Jan18

The January issue of Locus Magazine includes a lovely review of Daughters of the Air.  Here is an excerpt:

Only Le Guin bothers to write coming-of-age stories with such attention to each word… Daughters of the Air is well worth reading. Beyond its singular blend of myth and magic, its potent and poetic language announces a worthy new voice in, if I can call it this, the literature of the melting pot. Szilágyi is writing from the center of multiple cultural Venn diagrams, about historical and emotional topics more readers need to explore.

-Katherine Coldiron

You can buy the issue here.

“Street of the Deported” Wins Lilith Magazine’s Fiction Contest

20 Dec

IMG_3698.jpgI’m excited to share that my story “Street of the Deported,” part of my in-progress story collection More Like Home Than Home, won first place in Lilith Magazine’s fiction contest. You can read the story right here, or pick up a copy from your local newsstand. Over on their blog, I spoke with fiction editor Yona Zeldis McDonough about the story, Daughters of the Air, fairy tales, and food. You can read that Q & A here. Hooray!

Monkeybicyle’s If My Book

12 Dec

I’ve written an If My Book column for Monkeybicycle, wherein I compare Daughters of the Air to weird things. Here’s how it begins:

If Daughters of the Air were fruit it would be blood orange and pupunha.

If Daughters of the Air were cheese it would be Roquefort. Also: Kraft saved from a dumpster.

Continue reading

Review of DAUGHTERS OF THE AIR in The Seattle Review of Books

5 Dec

I was utterly verklempt reading Paul Constant’s beautiful review of Daughters of the Air in The Seattle Review of Books earlier today. Here’s a taste:

Daughters is a confident and finely wrought novel. Szilágyi is at equally at home writing about Argentina’s complex historical conflict and the glittering garbage heaps of Brooklyn. She focuses unflinchingly on the violence we deliver on each other, and the mental scars that violence leaves behind.

You can read the whole piece here.

DAUGHTERS OF THE AIR one of Bustle’s 11 Best Fiction Books Releasing in December 2017

1 Dec

This morning, I was super excited to see Daughters of the Air included in Bustle’s round up of best new fiction releasing in December. Huzzah!

Reviews are coming in as well. Leena Soman of Cleaver Magazine calls Daughters of the Air “a clear-eyed meditation on the experience of being haunted by the unknown and what we are perhaps too scared to imagine.” In A Geography of Reading, Isla McKetta writes:

“…I want to read a book that pushes me so far beyond my own experience as a human and a writer that I’m already off the cliff and halfway to a crushing death before I realize what’s happening. Daughters of the Air took me there.”

And, Elizabeth’s Editions says “[Szilágyi] is a smart writer, dropping you straight into the white hot truth of life.” Yow!

The novel releases in just four days. I hope to see you at the launch party this Tuesday at 7:30 at the Hotel Sorrento, or at one my events around the country in 2018!

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