Tag Archives: Gusev

What Makes a Story “Chekhovian”?

3 Apr

I’m really looking forward to teaching a new short story class at Hugo House about Anton Chekhov and his influence on modern short story writing. So many craft techniques in wide use today originated from Chekhov, and I learned a lot deeply engaging with his stories. In fact, my story “Old Boyfriends” started out as an imitation of the structure and themes in “Gusev“. In addition to reading iconic stories from Chekhov, we’ll read Mavis Gallant and Jhumpa Lahiri and Ehud Havazelet, and try our hands at a range of techniques. Here’s a micro-lesson preview of the class. I hope to see there, Mondays 7-9 pm, starting April 27!

“Old Boyfriends” in Propeller Magazine

2 Dec

My short story “Old Boyfriends” is in Propeller Magazine this week. Here’s how it starts:

It’s four p.m.: the sun is gone.

Sandra, a graduate student in archaeology, lurches forward with the bus along Avenue du Parc.

“This roof’s all bone,” Sandra says, rapping her knuckles to her skull.

continue reading

Back in my MFA program at the University of Washington, I took two “creative writer as critical reader” classes (my favorite classes from the program) one after the other, in poetry with Heather McHugh and then prose with David Bosworth, my adviser. Heather brought in a translation of Anton Chekhov’s story “Gusev” that she’d been working on with Nikolai Popov, a prose-bone to throw at the small contingent of prosers in her class. At first, I bristled against the story, feeling disoriented in its dark, suffocating setting. But the ending was wonderful and the more I read it, the more I loved the whole thing. I loved seeing how the story opened up with Gusev sinking in the ocean among the sharks and the pilot fish and how the light in the sky shifted to green, to violet, to gold, to rose. In David’s class, we were invited to choose a short story that we wanted to study deeply and either imitate or take its structure and themes and write a story we’d already been wanting to write within that structure or launching off of it somehow. I chose the latter, among other things making Gusev’s ship into Sandra’s city bus and kind of letting the story take over from there. Dan DeWeese, the editor of Propeller, had a couple wonderful suggestions that ultimately took the story away from the exercise and made me excited about the story all over again, since writing that first draft back in 2010.
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