Tag Archives: Hugo House

December Events

27 Nov
ampersand

Olympic Sculpture Park; photo by George Szilagyi

As the year winds down into its darkest days, I hope you’ll join me for one of these events. If you come to two, I will give you a lollipop.

  • Friday, December 2, at 8 pmThe Furnace Says Goodnight at Hollow Earth Radio. Thirteen Furnace writers contributed pieces that Corinne and I have woven into a single story. The pieces are at turns raw, luminous, defiant, and hopeful. I’m super excited to see the collaboration come alive on stage.  And there will be klezmer music! Please come help us celebrate our last performance. If you’re not in town, you can tune in online at hollowearthradio.org.
  • Wednesday, December 7, at 7 pm: Superfriends: Moss + Pacifica at Open Books. Two literary magazines near and dear to me are having launch parties for their latest issues. I’m in Moss #6! Pacifica published my first poem back in March.
  • Tuesday, December 13, at 7 pm: Seattle Fiction Federation at Richard Hugo House.  A fiction-full night! I’m reading alongside Steve Sibra, Lucy Hitz, and Donna Miscolta, whose story collection Hola and Goodbye just came out from Carolina Wren Press. There’s also an open mic, so come with up to 5 minutes of fiction to share.

Kingfishers, herons, news

9 Sep

photo-24I’m back from a family trip to Orcas Island. Waiting for the ferry in Anacortes, we spotted skittering kingfishers and a great blue heron in flight–its path strangely loping. Then, in Orcas, there were the requisite cows, sheep, and horses; a buck crunching on dead leaves; and sweet doe eating dandelions. We went to the old strawberry barreling plant in the hamlet of Olga, where there are no longer any strawberry fields. And M & I baked our bones in a sauna that may have been close to 200° F. How refreshing!photo-27

Now I’m in back-to-school mode. A few tidbits of note:

  • On Sunday, September 18, I’m teaching a free one-day class on contemporary fairy tales at the Capitol Hill branch of the Seattle Public Library.
  • On Saturday, October 22, I will be one of 40+ featured artists at Artist Trust’s 30th Birthday Party. Tickets are $25 and proceeds support this amazing organization and all the hard work it does in Washington State. I have felt their impact profoundly as a recipient of their inaugural Gar LaSalle Storyteller Award. But they have been a helpful resource for me long before that; I attended a number of their grant writing workshops and compiled some of my notes in a post here.
  • Finally, I’m pleased to be offering one-on-one writing coaching via Hugo House’s new manuscript consultation program. You can learn all about here.

In other news, I have a few pieces forthcoming–a collage essay about a fruit (in the meantime here’s a post I wrote about nectarines), a short story inspired by my recent trip to the Netherlands, and two short-short fairy tales. I’ll be sure to post links to these pieces as they become available.

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Springtime Readings

23 Feb

photo (18)Behold, Seattle’s gloriously long spring, stretching from February to late June. In my youth, the colors of my birthday month featured gray slush and the unnatural blue icing on Carvel ice cream cakes. Now, there is a profusion of pink in all the azaleas, rhododendrons, early cherry blossoms, meaty camellias.

Speaking of meat, I’m reading at a”Moveable Feast” themed reading on Saturday, March 5 at 7 pm, alongside my fellow Jack Straw‘ster Bernard Grant and Emily Holt. They’re promising a themed cocktail and open mic to follow, so come have a drink and bring food-themed work to share. This will be at a private home in Madrona on 34th and Columbia, as a part of the roving Makeshift Reading Series. Incidentally, this is also the second time I’m reading at a private home, which is just a lovely experience. A few weeks ago, I read at a party Artist Trust threw for me (!), hosted by Gar LaSalle. It was surreal and delightful and an honor. Pictures here!

Then on Wednesday, April 6 at 7 pm, I’m reading at the third anniversary edition of Lit Fix at Chop Suey, alongside Anastacia Tolbert, Michelle Peñaloza, Sean Beaudoin, Gint Aras, and acoustic solo project The Wild. I’ll be reading nonfiction, a genre I’ve been diving deeper into in the last year or so, and which I’ve never performed before.

Lastly, on Wednesday, April 13, I’m returning to Castalia, the University of Washington MFA program’s monthly series at Hugo House. Details on the line up to come!

I’ll have copies of my chapbook I Loved You in New York on hand at each of these readings, for $5. You can also get them from alice blue books at the APRIL book expo on March 20, at AWP in Los Angeles March 31-April 2, or via Etsy.

Upcoming Classes

1 Dec
Strange trinkets and doo-dads on display in Astoria, Oregon.

Objects galore, courtesy a storefront in Astoria, Oregon. An image-based writing prompt for you.

There are still some spots in my 30-minute, $10 online class Powerful Objects, meeting December 9 at 7 pm.  This micro-class is via OneRoom, an online platform designed specifically for creative writing classes allowing real-time interaction via video. The format of the micro-class is a great way to sneak in some writing in this busy time of year, if I do say so myself. Here is the class description:
Italo Calvino wrote that “the moment an object appears in a narrative, it is charged with a special force and becomes like the pole of a magnetic field, a knot in the network of invisible relationships.” We’ll read Kate Bernheimer’s short-short story “Pink Horse” to see how she uses imagery and detail to bring out the psychic power of a particular object. Then we’ll do a writing exercise exploring a character’s relationship with an object. Register here.
In 2016, I’m teaching 1000 Words a Week, a six-week class in which–you guessed it–we will write 1000 words a week. It’s like NaNoWriMo but at a more merciful pace. Class meets Thursdays 7-9 pm, starting January 14. General registration opens December 8; if you’re a Hugo House member you can register today. Scholarships are available! Apply by December 14. Class description here:
Each week we’ll write 1000 words using big-picture and fine-grain prompts. In class, we’ll lightly workshop pieces, focusing on questions like “What creates energy in this story?” and “What do you want to know more about?” Stories may be part of a larger work or stand alone. We’ll also discuss writers’ thoughts on writing, from classics like Anne Lamott’s “Shitty First Drafts” to newer essays like Rikki Ducornet’s “The Deep Zoo.” Students will leave class with 5000 new words. Register here.
Finally, I am teaching a mini-lesson called The Priceless Detail at Hugo House’s Write-O-Rama, this Saturday at 12 pm & 1 pm.  Here is the class description:
Good liars know that selective detail, not a pile of facts, make a more convincing story. In discussing Chekhov’s exceptional use of detail, Francine Prose notes that we live in detail, remember in detail, identify, recognize, and recreate in detail. But finding the right detail in fiction takes a lot of sifting. We’ll look to excerpts from Chekhov for inspiration, then immerse ourselves in an exercise drawing on keen observations of our own experiences. Register here.
Wishing you a writing-full season & 2016!

Fall Classes at Hugo House

27 Jul

Hugo House’s fall course catalog is now available. I’m teaching three classes, listed below. Scholarships are available and applications are due August 24. Hope to see you around Hugo House soon!

I’m also happy to offer writing coaching. If you’re interested, email me at anca (dot) l (dot) szilagyi (at) gmail (dot) com, and tell me what you’re working on and what kind of coaching you are looking for, and we’ll go from there.

What Makes a Story “Chekhovian”?

3 Apr

I’m really looking forward to teaching a new short story class at Hugo House about Anton Chekhov and his influence on modern short story writing. So many craft techniques in wide use today originated from Chekhov, and I learned a lot deeply engaging with his stories. In fact, my story “Old Boyfriends” started out as an imitation of the structure and themes in “Gusev“. In addition to reading iconic stories from Chekhov, we’ll read Mavis Gallant and Jhumpa Lahiri and Ehud Havazelet, and try our hands at a range of techniques. Here’s a micro-lesson preview of the class. I hope to see there, Mondays 7-9 pm, starting April 27!

On Writing Difficult Material

2 Mar

Over on the Hugo House blog, I’ve got a mini-lesson previewing my upcoming one-day class at the Henry Art Gallery. The excerpt of class reading I chose comes from the opening of Mercè Rodoreda’s novel Death in Spring, which is the new book integrated into Ann Hamilton: the common S E N S E(The first book was J.A. Baker’s The Peregrine.)

Death in Spring is a stunning novel, for its poetic language, lush imagery, and its tackling cruelty among humans as well as violence in nature. Rodoreda was a Catalan writer living during Franco’s dictatorship, and the novel can be read as a metaphor for that regime or for any oppressed society.The violence is also of mythological proportions, and the beauty of the language helps make reading it bearable. This technique was something that was made explicit for me by Rikki Ducornet speaking at an AWP panel on “Magic and Intellect”: “For a difficult book to be readable, find a language that levitates somehow, that is scintillating.”

The class will go beyond this topic, delving into the many layers of Ann Hamilton’s monumental show, on our relationship to animals, the sense of touch, and being touched–emotionally and intellectually–through the private act of reading. Death in Spring will definitely bring home this last idea of being touched–being moved in profound ways by another’s experience and creation.

Intro to Fiction: Writing the Short Story

21 Nov

This winter, I’m teaching Intro to Fiction: Writing the Short Story, a six-week class at Hugo House laying out crucial elements of story. Here’s the course description:

This class will zero in on the three-part backbone of story: character, plot, and landscape. Who is your main character? What do they want? What keeps them from getting what they want? Readings and discussions will include canonical and contemporary stories from James Joyce, Anton Chekhov, Mavis Gallant, Jamaica Kincaid, Louise Erdrich, and others. Writing exercises will focus on crucial craft elements as well as generative exercises to get started.

I’m also teaching a special one-day class at the Henry Art Gallery in conjunction with Ann Hamilton’s show the common S E N S E, which I’ll write more about in a separate post. Registration for Hugo House members begins on December 9 and for the general public on December 16. Hope to see you there!

Background Reading for a Novel-in-Progess

18 Apr

I’ve been feeling anxious about the many things I’m juggling at the moment, so I just did a “brain-dump,” hashing out my immediate deadlines and less imminent ones, projects where I owe work to others and projects where I owe work to myself, and when in the coming months I will be able to do that. This is something I do from time to time, but having just finished auditing the ArtistTrust EDGE program, I have a few more tips and resources under my belt, with healthy reminders about making time for the writing and valuing that work. I feel a lot better. Of my own projects, there are a handful of short stories that I want to develop further, a handful to submit (or continue submitting), and a general plan to arrange the collection (in hard copy, not in my mind, which I’ve pretty much done) in September.

Anxiety-reduction aside, the brain dump also got me excited about looking ahead to my second novel. I wrote a quick, rough sketch of about 115 pages last April and put it aside to simmer. I took a number of inspiring and invigorating classes at Hugo House in March, including Chris Abani‘s class on voice and Sam Lipsyte‘s class on keeping a story going. Now, I’m taking Peter Mountford‘s excellent class on narrative structure, and had a really productive workshop of my synopsis and first chapter. I’m looking forward to digging deeper into the main conflict of the story before I set out to rewrite with more intention. And I’m excited to keep reading novels that I think will feed this book. For my first novel, I read countless books. I wish I had kept a more careful list all in one place, but my notes are scattered over many notebooks, and it would take me some time to sift through the pages to put it all together. I pretty much read anything I could get my hands on that was from or about Argentina and seemed remotely related, as well as a number of books that used magic realism in some way similar to how I tend to write it. I’m trying to be more organized about my second novel.

So far, here are some of the works feeding into Novel # 2. If you have any recommendations that fit into the nodes developing here, feel free to leave a comment!

Not pictured: Grisham, Le Carre.

Pictured left to right: A Convergence of Birds, An Almost Perfect Moment, The Brooklyn Follies, The Map and the Territory, Bleak House, Billy Budd and Other Stories, Just Kids, The Emperor’s Children, A Young Man’s Guide to Late Capitalism, The Big Short, Lives of the Artists. Not pictured: some legal fiction by Grisham, some spy fiction by Le Carre.

Related posts:

  1. On Reading
  2. End of the Story
  3. Narcissus and Goldmund

Upcoming Readings

26 Jan

Recently, a gardening-savvy friend got me excited about what will crop up in our yard as the weather warms – lilacs, cherries, and plums, oh my! I just have to get through these last cold, muddy weeks. Luckily, I’ve got three readings on the horizon that will sneak me right into spring, all at the loverly Richard Hugo House:

  • Tuesday, February 5, 8 pm – The Castalia Reading Series – This is the monthly reading series for the UW MFA program, and I get to read as an alum for the first time. I’m reading alongside fellow alum & poet Rachel Welty and students Derek Robbins, Jay Yencich, and Kristine Greive.
  • Friday, February 15, 7:30 pm – Made at Hugo House Midyear Reading – As a part of the Made at Hugo House Fellowship, the fellows (Bill Carty, Irene Keliher, Eric McMillan, Katharine Ogle, Elissa Washuta, and me) will be sharing new work produced in the first half of the program.
  • Thursday, March 21, 7:00 pm – Cheap Beer & Prose – I’m reading alongside Nicole Hardy, Corinne Manning, and Kristen Young as a part of the series’ annual ladies’ night. Wee!

Addendum: At the Pine Box, Monday, February 11, 7:30 pm – Pacifica Launch Party – The literary magazine I help edit is launching its first issue! Lisa Nicholas-Ristcher, Maggie MK Hess, Sarah Kathyrn Moore, Leena Joshi, Joannie Stangeland, and Jake Uitti will be reading, and the book, designed by Ryan Diaz, is beeeeautiful.

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