Tag Archives: Kate Bernheimer

Upcoming Classes

1 Dec
Strange trinkets and doo-dads on display in Astoria, Oregon.

Objects galore, courtesy a storefront in Astoria, Oregon. An image-based writing prompt for you.

There are still some spots in my 30-minute, $10 online class Powerful Objects, meeting December 9 at 7 pm.  This micro-class is via OneRoom, an online platform designed specifically for creative writing classes allowing real-time interaction via video. The format of the micro-class is a great way to sneak in some writing in this busy time of year, if I do say so myself. Here is the class description:
Italo Calvino wrote that “the moment an object appears in a narrative, it is charged with a special force and becomes like the pole of a magnetic field, a knot in the network of invisible relationships.” We’ll read Kate Bernheimer’s short-short story “Pink Horse” to see how she uses imagery and detail to bring out the psychic power of a particular object. Then we’ll do a writing exercise exploring a character’s relationship with an object. Register here.
In 2016, I’m teaching 1000 Words a Week, a six-week class in which–you guessed it–we will write 1000 words a week. It’s like NaNoWriMo but at a more merciful pace. Class meets Thursdays 7-9 pm, starting January 14. General registration opens December 8; if you’re a Hugo House member you can register today. Scholarships are available! Apply by December 14. Class description here:
Each week we’ll write 1000 words using big-picture and fine-grain prompts. In class, we’ll lightly workshop pieces, focusing on questions like “What creates energy in this story?” and “What do you want to know more about?” Stories may be part of a larger work or stand alone. We’ll also discuss writers’ thoughts on writing, from classics like Anne Lamott’s “Shitty First Drafts” to newer essays like Rikki Ducornet’s “The Deep Zoo.” Students will leave class with 5000 new words. Register here.
Finally, I am teaching a mini-lesson called The Priceless Detail at Hugo House’s Write-O-Rama, this Saturday at 12 pm & 1 pm.  Here is the class description:
Good liars know that selective detail, not a pile of facts, make a more convincing story. In discussing Chekhov’s exceptional use of detail, Francine Prose notes that we live in detail, remember in detail, identify, recognize, and recreate in detail. But finding the right detail in fiction takes a lot of sifting. We’ll look to excerpts from Chekhov for inspiration, then immerse ourselves in an exercise drawing on keen observations of our own experiences. Register here.
Wishing you a writing-full season & 2016!

The Magic of Objects

3 Apr

My fourth set of writing prompts for the Ploughshares blog takes inspiration from objects, with wisdom from Italo Calvino, Elizabeth Kostova, Cynthia Ozick, Charles Baxter, Kate Bernheimer, RT Smith, and more.

In other news, an excerpt from my student Amber Murray’s intriguing essay “Thoughts on Abstract Thought and the Practice of Moving Things Around Until They Sit Just Right,” from this winter’s Visual Inspiration class, is up on the Henry Art Gallery’s blog! Exciting!

Story as Architecture / Architecture as Story

16 Mar

My third set of writing prompts for the Ploughshares blog takes architecture as its starting point.

The Best AWP Ever

7 Mar

photo (9)Forgive my hyperbole, but I really enjoyed AWP this year. Maybe it was because this was the fourth I attended, so it was less overwhelming. Maybe it was because it was in Seattle, so I got to see so many friends and sleep in my own bed. Maybe it was because I had a chance to read alongside some really lovely writers. Maybe it was because I got to bring M to the book fair on Saturday and he made many tired exhibitors laugh. I *did* have violent heart palpitations the weekend before the conference as I stressed out over the three readings I had, but somehow these subsided by Tuesday, and by Thursday it was one big love fest. Here are some highlights.

Notes on the Practical

On Thursday I attended Kristen Young‘s panel Like Sand to a Beach: Bringing Your Book to Market. Jarrett Middleton of Dark Coast Press gave a really informative overview of the publishing process, especially when it comes to distribution. I had no idea how scary a pre-sales conference is (when a publisher pitches the merits of a title to all the big guns of a distributor and they try to poke holes in your marketing plan). I also didn’t know that a book has about 90 days or one quarter in a bookstore before it gets returned to the warehouse. Karen Maeda Allman of Elliott Bay Book Company gave the bookseller’s perspective. My favorite advice of hers about author events is to “invite everyone you know, encourage them to bring friends, and invite your ‘Kevin Bacon’ friend–the one who knows everyone.” All of her presentation slides are available on this beautiful Tumblr. Author Jonathan Evison emphasized building communities and taking the time to invite friends individually to your events rather than through mass emails. He also said, “Even if only six people come to your B & N event in south Austin, take the events coordinator to the Cheesecake Factory afterwards and get her drunk. She’ll keep selling your books.” Finally, Rachel Fershleiser of Tumblr gave an overview her experiences as a book publicist and of what she calls the “bookternet” — smart people being silly on the internet with sites like Last Night’s Reading.

A Controversial Panel

Friday morning I attended the panel Magic and Intellect. It was packed to the gills; magic must be popular! Something extraordinary occurred at this panel that so far one blogger I know of has recounted and it is worthwhile to read her account. I hope more people will write on it. I haven’t had the mind space to do so; I’m still processing. But I did come away from it feeling affirmed, that imaginative writing is necessary. Rikki Ducornet said, “The human mind & imagination cannot sustain itself in a constant state of emergency,” and Kate Bernheimer said, “Solutions in fairy tales often require radical acts. If you’re in an incestuous, abusive relationship, you might need to cut off your finger to use as a key to get out of a room.” And Rikki Ducornet offered this advice: “For a difficult book to be readable, ‘find a language that levitates somehow, that is scintillating'” (last quotation via Mackenzie Hulton on Twitter).

One Really Cool Thing from the Book Fair: Envisioning the Future of the Book

I cannot begin to describe the many, many books I acquired last week. So I will simply share one very cool thing, Columbia College Chicago’s Center for Book & Paper Expanded Artists’ Books. They displayed a hybrid artist book with heat-sensitive ink and an embedded iPad; if you pressed your hand on the page, different words erased and different words appeared on the iPad. What alchemy.

Readings Galore

I had the pleasure of reading fairy tales with Maya Sonenberg, Rikki Ducornet, and Valerie Arvidson. I was pleasantly surprised to see a fairly large room fill with people eager to hear stories. Somehow each of us included food in our stories–I hurriedly jotted the phrase “saffron buns and candied salmon” as Valerie read–and that made me immensely happy.

At Canoe Social Club, I read with Andrew Ladd, Michael Nye, and Wesley Rothman. I’d finished Andrew’s book What Ends Tuesday night and it had me sobbing by the end. In addition to making me think about the issues that got me crying, it got me thinking about the books that also made me cry like that–Sophie’s Choice, A Tree Grows in Brooklyn— so maybe I’ll write a separate post on that topic. I picked up Michael’s story collection Strategies Against Extinction; of course I will read the story “Sparring Vladimir Putin” first because obviously. I can’t wait. Wesley is working on a collection that may be called Sub-Woofer–keep your ears peeled!

Chris Abani and Chang-rae Lee did a wonderful reading and conversation. I already read The Secret History of Las Vegas (it’s powerful!), but hearing Chris read the opening and another section concerned with fairy tales gave me shivers.

I got to read with 13 others affiliated with the Univesity of Washington MFA and  the Cambridge Writers Workshop. We filled up Victrola’s back room and then most of us retired to Coastal Kitchen for drinks, snacks, and exquisite corpse. Coincidentally, I sat beside someone I’d only known through twitter and had no idea would be there. The future is now!

In the lovely subterranean Alibi Room, I got to see the UNC-Wilmington alumni reading, which featured several friends and which introduced me to the wonderful work of Rochelle Hurt and Kate Sweeney. You should check out their respective books, The Rusted City and American Afterlife. 

Finally, read Paul Constant’s take on the conference here, which includes high praise for my Furnace co-conspirator Corinne Manning and her Alice Blue chapbook “A Slow and Steady Eruption.” Hooray!

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