Tag Archives: Lanternfish Press

Notes From #AWP18, Part 2: “Sound Makes Sense: Reading the Lyric Sentence” and Various & Sundries (Gonzo Links Edition)

16 Mar
Sunrise view from my hotel room

Sunrise from our hotel room

The Friday of AWP is always the best day. The nervous energy of Thursday has dissipated, and the inevitable Saturday flu epidemic has not yet emerged. I woke early to respond to student stories and breakfasted on a leftover Cuban sandwich, wondering if it would make me barf later. Reader, it did not! A fortifying start.

Alan Sincic, the fantastic Orlando-based writer who was The Furnace’s Writer-in-Residence, was on a 9 am panel on the lyric sentence. I’m a fan of Sincic’s prose *and* mad presentation skills, so the early start was well worth it. The moderator, Pearl Abraham, kicked off the discussion with this advice: “If the voice doesn’t work, write better sentences.” 

Then Sincic woke up the crowd with a call-and-response activity, that gradually built up to us chanting together: “I am an individual and will not surrender my voice to the crowd.” He said, “A sentence is less like the beam of a house and more like the branch of a tree,” that a sentence has ghost limbs lost in the editing process. He proceeded to take apart this Mark Twain sentence, examining each word choice and its placement as a way of generating suspense and delight: “Is a tail absolutely necessary to the comfort and convenience of a dog?”

Baylea Jones analyzed a sentence from Dorothy Allison’s Bastard Out of Carolina, graphing sounds and letters, including patterns of consonant use, and internal rhymes: “Black walnut trees dropped their green-black fuzzy bulbs on Aunt Ruth’s matted lawn, past where their knotty roots rose up out of the ground like the elbows and knees of dirty children suntanned dark and covered with scars.” Wow! I had fun retyping that.

AuthorSigningI ducked out early to get to my book signing at the Lanternfish Press table, where I got to hang out with my editor Christine Neulieb and publisher Amanda Thomas,  and connect with new readers and old friends, including Julia Mascoli, who was in my Tin House workshop in 2013 and who is Deputy Director of Free Minds Book Club and Writing Workshop doing great work with incarcerated and formerly incarcerated people in Washington, D.C. (Seattle-area folks, you can donate books to prisons and other under-served communities via Seattle7Writers Pocket Libraries program.)

Later, I chilled at the Cambridge Writer’s Workshop table, celebrating the release of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, which includes my “Summer-Inspired Writing Prompts.” Co-editor Rita Banerjee was there with her mythic poetry collection Echo in Four Beats, as was Maya Sonenberg, whose new chapbook After the Death of Shostakovich Père is out from PANK Books.

That night, the celebration continued at the Helen Gordon Davis Center for Women, a beautiful old mansion a mile away from the convention center. There were many, many readings. One was from Women in the Literary Landscape; crowds whooped in appreciation for Anne Bradstreet, Virginia Kirkus, and the biographer of Eleanor Roosevelt. (I am a rube for not remember which biographer was mentioned, so here are five of them!)  Nell Painter, author of A History of White People, read from her forthcoming memoir Old in Art School, Diana Norma Szokolayi read her poem “Sarajevo,” Sonenberg read an anti-plot manifesto, and I read an excerpt from Daughters of the Air in which Pluta has committed arson in Brooklyn and found refuge in an abandoned Times Square theater. Fun! There is so much more to write…! I’ll wrap things up in one more post. Sneak preview: there will be blood.

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Reading at Strange Theater: A Menagerie of Fabulists. Photo courtesy of Daniel A. Hoyt. I swear, there were more people here. We agreed the line up was so good we’ll do it again in Portland, but weirder!

“How to Finish a Novel in Only 15 Years” in The Nervous Breakdown

8 Jan

Wassily Kandinski [Public domain], via Wikimedia Commons

Wassily Kandinski [Public domain], via Wikimedia Commons

I am pleased with how fitting it is to have an essay called “How to Finish a Novel in Only 15 Years” in The Nervous Breakdown today. Here’s how it begins:

1.  Choose a horrific moment in history you know little about, in a country, Argentina, you know little about, but which seems to have troubling similarities to the here and now. Research for years. Images from the Dirty War sear into your mind.

continue reading

In other news, I made a handy-dandy card with all of my upcoming out-of-Seattle readings (as always everything is on my appearances page).

Anca L. Szilágyi on Tour for Daughters of the Air

Huzzah!

DAUGHTERS OF THE AIR Publication Day!

5 Dec

dota-coverToday is the big day! Daughters of the Air is out in the world. I’m excited that after so many years this is really, really real. Really. It is out of my hands and readers are reading. Whoa. I am especially excited to share that Tin House has published an excerpt on their blog today, which you can read right here.

If you’d like to help me get the word out, there are a few things you can do:

Join me at the launch party tonight at 7:30 pm at the Hotel Sorrento. Elliott Bay Book Company will be selling books there. Or join me at one of my upcoming events around the country. Bring friends! Buying the book at bookstores show booksellers there’s enthusiasm for it. And it supports all the good work booksellers do. And, um, in general buying the book helps me pay the bills and write my next book.

Review the book on Amazon, Barnes & NobleGoodreads, Powell’s, your personal blog…Let people know your thoughts.

Let your friends know if you think they might like a novel that is dark, fabulist, lyrical, political. Or if they’re into cities like New York, Buenos Aires, Manaus, or Rome. Or if they’re into myth and fairy tale. Or if you really like my sentences and think they’d really like my sentences too!

Request your local library carry it. Have I told you lately how much I love libraries? Here is a very old blog post about one of my favorite toys.

If you’re part of a book club, suggest it to the group. I’m happy to meet with groups in person in the Seattle area, or while on book tour, or by Skype.

Let me know if you’d like me to read at your reading series or come talk to your students or would like to adopt the book for a course. I love to give readings and talks. Daughters of the Air will be taught in a human rights class in the fall and would be a great fit with other classes too, such as contemporary fairy tales, Jewish studies, Latin American studies, and small press publishing.

Send me photos of you with the book and I will post it on Instagram! Or tag me, and I will happily repost.

Of course, these are all good things to do for any and all books out in the world that you wish to support. Thank you so much for championing literature!

DAUGHTERS OF THE AIR Goodreads Giveaway

22 Nov

dota-coverFun news: Lanternfish Press is running a giveaway for Daughters of the Air on Goodreads. You can enter here. If you’ve already pre-ordered the book, perhaps you might add it to your to-read list and recommend the giveaway to a friend or two?

Pre-orders for DAUGHTERS OF THE AIR

26 Sep

dota-cover

Oh boy, oh boy! Things are getting real. My debut novel, Daughters of the Air (formerly known as Dirty), will be released on December 5, 2017. You can pre-order it starting today: from your local independent bookstore (like Elliott Bay Book Company) via IndieBound, directly from Lanternfish Press, Barnes & Noble, and Amazon.

Why are pre-orders important? Well, they show booksellers there’s enthusiasm for the book, which means they order more books, and they all count towards the first week of sales–so the accumulation of pre-orders gives books a shot at the bestseller list in the first week it’s out.

This has been such a long time in the making; the seedlings were planted as far back as 2001, when I spent a month at the National Institutes of Health, recovering from surgery. In fact, I have a very personal essay about that time, and how I decided to seriously pursue writing, in Catapult today. You can read “Art Therapy Before Surgery” here. Then, come see all the incredibly kind things people are saying about the book here.

I love the cover art by Nichole DeMent, a piece called “Bird Moon” that was originally mixed media encaustic. I can’t stop staring at it. Nichole’s work is super dreamy, and I’ve coveted it for my novel since coming across it in 2013. Over on Lanternfish Press’s blog, I shared more thoughts on Nichole’s work and how my writing process draws from visual art. I’ve been hugging my advanced review copy since it arrived in August and have been so grateful for editorial director Christine Neulieb‘s championing of the book as well as all the good, hard work going on at Lanternfish Press.

If you’re in Seattle, please come to the launch party at the Hotel Sorrento, hosted by Hugo House, on the night of the release, December 5, at 7:30 pm!

Want to stay in the loop about other events and related hooplah? Subscribe to my short & sweet monthly newsletter here. Thank you for your support!

 

Brooklyn Book Festival 2017

22 Sep
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From a mural in Coney Island

Last week I went home for the Brooklyn Book Festival and it was so lovely! Tuesday night, my parents took Michael and me to Malachy McCourt’s event at Greenwood Cemetery for his new humorous book Death Need Not Be Fatal. I love that the cemetery is also a literary venue with a club called the Death Café; the coordinator promises “the history of cremation has a few laughs.” Perhaps my favorite (non-funny) thing McCourt said is this, regarding his atheism:  the conception of hell is “ecclesiastical terror. I don’t want to hang out with the people who invented that.”

We also went to the Whitney Museum to see Alexander Calder‘s refurbished, motor-driven mobiles and “An Incomplete History of Protest,” an inspiring exhibit tackling art as protest from the 1940s to the present. The views from the Whitney are fantastic. It’s hard not to fall in love with New York over and over again.

On Friday, I took Amanda Thomas of Lanternfish Press on an instagram tour of Coney Island, one of the settings of Daughters of the Air (my first novel, formerly known on this blog as Dirty and releasing December 5!). Sunday was the big day for the book festival, and I was so happy to meet readers excited about weird fiction! Then that afternoon I took LFP’s publicist Feliza Casano on an instagram tour of Gowanus, another major setting of Daughters of the Air. Check out LFP’s blog post on the book festival here. I’ve included a few highlights highlights from Coney Island, Gowanus, and the festival right here:

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Stay tuned for more book news next week! And if you’d like to get that news right in your in-box, I’ve got a short and sweet monthly newsletter you can sign up for here.

Lanternfish Press To Publish My Debut Novel

6 Mar

I am beyond thrilled to announce that Lanternfish Press is publishing my debut novel, Dirty, in late 2017 or early 2018. Dirty is a magical realist work about a teenage runaway whose father is disappeared during Argentina’s Dirty War.

The seedlings of this book emerged long, long ago, in 2001. And I worked on the first draft in fits and starts for years until I decided an MFA at the University of Washington would help me get it done. Then, mid-way through the program in 2010, Michael and I managed to travel to Argentina. (There was a pitfall to super cheap plane tickets; I wrote about it for Airplane Reading.) At graduation, my thesis advisor David Bosworth compared the process of finishing a novel to the gestation of a whale. Fast forward to 2017. Not sure which beasts gestate for 15 years. But this labor of love will see the light of day!

Lanternfish is based in Philadelphia and makes gorgeous, genre-blurring books like Vikram Paralkar’s The Afflictions and Christopher Smith’s Salamanders of The Silk Road. The moment I read Lanternfish’s cred0, I knew it would be a good fit:

READ. READ VORACIOUSLY. READ WRITERS WHO DON’T LOOK LIKE YOU. READ FOREIGN WRITERS. READ DEAD WRITERS!

Writing is a conversation. It can offer people who lead wildly different lives a window on each other’s worlds. It can bridge gaps between cultures and gulfs in time, overcoming unbearable solitudes. We tend to click with writers who’ve grappled with many stories and whose work is informed by that broader perspective.

I am so delighted they agreed.




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