Tag Archives: poetry

Bookshop.org

3 Apr

Occasionally I fantasize about opening bookshop. It would be on a corner, with big windows, and the curated tables and shelves would feature literature from as many corners of the world as I could muster, and there would be lots of calming blue colors and it would be real cute. Who knows if I’ll ever dive into such an endeavor? In the meantime, it was remarkably easy and fun to curate a Bookshop.org affiliate page. If you’ve not heard about Bookshop, it’s a new way of buying books online while supporting local, independent bookstores. Most profits are split among the 400 or so participating brick-and-mortar stores. I expect my curated lists will grow and change over time. (And, why, yes, Daughters of the Air is on there too.) Take a look! Hope you find something good to read.

Going to AWP Without Going to AWP: Virtual Edition

6 Mar
Neither of these are the physical book fair, but they are *both* at the #AWPVirtualbookfair!

Last year around this time, Michael and I traipsed about Portland for AWP, skirting the conference itself, simply enjoying off-site readings and the book fair on Saturday. It was a lovely way to round out our time in the Pacific Northwest.

This year, because of our move, I never had any intentions of going to the conference in San Antonio, but because of the coronavirus, lots of folks, including my publisher Lanternfish Press have cancelled their trips. Because small presses depend on AWP each year for sales, a virtual book fair has been set up as a Google Doc by Trevor Ketner, publisher of Skull + Wind Press, inspired by poets G. Calvocoressi, Dana Levin, and Greg Pardlo. Now folks can browse from afar, and check out the many beautiful books and journals on sale here at #AWPVirtualBookfair. In random scrolling through the virtual book fair, I came across this intriguing book of poetry, Goodbye Wolf, by Nik De Dominic. Most discount codes are good through Sunday. Lanternfish Press is offering 30% off all of their books (including Daughters of the Air); use the code AWP2020.

Another press I love that has cancelled its trip to San Antonio is Fairy Tale Review. Their newest issue, back issues, subscriptions, and the complete set of issues are 20% off. Use code AWP20. The title story of my in-progress story collection, “More Like Home Than Home,” is in their Wizard of Oz-themed Emerald Issue. It’s set in Brooklyn in the 1980s and is a potpourri of the Wizard of Oz, Alice in Wonderland, and Twelve Dancing Princesses.

But what is a book fair without getting to pick up a book and open it at random? Below is random page from Daughters of the Air (you can read the opening over at Tin House). Beneath that, a taste of what all is in FTR’s Emerald Issue.

Stay healthy out there! Enjoy yer book browsing & book reading!

Going to AWP Without Really Going to AWP: A Post-AWP Report

2 Apr

This past weekend was my sixth time attending the AWP conference. My first was in New York in 2008, an overwhelming affair of 8,000 writers crammed into a couple Midtown hotels. That year, I sat on the floor beside a woman from Texas Tech who thought my plan to wait five years before getting an MFA was absurd. The next thing I knew, I was working as a paralegal to save money for graduate school, and by August 2009, I had a full ride to the University of Washington and Michael and I moved cross-country to Seattle. You could say that AWP changed our life pretty radically.

Over the years, we went to a smattering of conferences, but each year I went to fewer and fewer panels, as they tend to repeat and I learned you can only soak up so much information. In 2015 in Minneapolis, I mostly had lunch and dinner with friends, a most pleasant experience, but I’d realized the conference fee had been a waste. Next time, I resolved, I would go to AWP without going to AWP.

Last year in Tampa, with my novel just out, I didn’t get to do that. But *this* year, in Portland, it finally happened, and I highly recommend it to folks who’ve been around the AWP block. I was more relaxed. More hydrated! I had time to stay on top of my online teaching, so less stressed.

Now for some highlights:

Wednesday night, we started at The Old Portland, a wine bar owned by Courtney Taylor-Taylor of the Dandy Warhols. They only serve old French wine; I misheard the description of the Corsican rosé as “foggy” and enjoyed it very much; Michael enjoyed a ten-year-old red Bordeaux. Then, the very Portland-y (more stoner than twee Portlandia) bartender said, “Yeah, we don’t like advertise or anything,” and showed us the Odditorium, the band’s 10,000-foot “clubhouse,” where they rehearse, record, film music videos, and the like. It was cavernous and quiet. Michael, a big Dandy Warhols fan, was in heaven.

“Ice Cream,” the mono-print I made at VSC when I was sad that the ice cream shop had closed and there was no ice cream to be had.

Thursday afternoon, we went to the Vermont Studio Center alumni happy hour. I’d finished a first draft of Daughters of the Air there back in 2007. Three former literary staff read poetry from their recent releases. A line from Nandi Comer’s American Family: A Syndrome: “If there is blood, the artist has chosen to omit it.” Ryan Walsh spoke of the connection between visual art and writing at VSC (I still cherish learning how to make a mono-print there) and vegetable poems. Zayne Turner read from “Her Radioactive Materials.”

Most of the other readings I attended featured numerous readers, so, forthwith, more of a collage:

Reading “Cauliflower Tells You

At Strange Theater: A Fabulist Reading, there were spiders and trousseaus and swans roasted in revenge and Japanese monsters and red rooms and porcine men and tyrants and cauliflower-fueled murder. A doll’s head was raffled off, among other trinkets; I offered a rare talisman of Cyndi Lauper’s trip to Yemen.

Friday, we went to the PageBoy Magazine Happy Hour, featuring 17-word poems and prose. It was a fun afternoon of zingy one-liners and dreamy experimental works and Gertrude Stein jokes. Then we were off to Literary Bingo with Lilla Lit, a new Portland-based reading series; it was fast and furious with four-minute readings (a loud buzzer ushered off writers going over). Chocolate was pelted at every shout of “bingo!”; I caught a peanut-butter ball overhead with my left hand and won a copy of Jennifer Perrine’s In the Human Zoo. I also read a poem and someone won a copy of Daughters of the Air. All readings should have strict word and time limits and buzzers and prizes!

Saturday, we paid $5 to get into the convention center book fair. I had a lovely time chatting with Chicago-based folks in advance of our move (yes! big news tucked away over here; more on that in a future post), signing books at the Lanternfish Press table, and seeing fellow LFP authors Charles J. Eskew (Tales of the Astonishing Black Spark) and Andrew Katz (The Vampire Gideon’s Suicide Hotline and Halfway House for Orphaned Girls). It was also super cool meeting Carmen Maria Machado, who signed Her Body and Other Parties and Carmilla, an LFP reprint of a lesbian vampire romance that predates Dracula, with a Borgesian introduction and footnotes by Machado.

Fun!

We also picked up a whole slew of poetry in translation (from Romanian and Hebrew), essays on art, novels, short story collections. I can’t wait to read it all! Our last stop was the Northwest Micropress Fair at the Ace Hotel, where I signed copies of Sugar, my chapbook from Chin Music Press, and hung out with regional small presses, which felt like a special little send off before we leave the Pacific Northwest.

I heard that the conference had ballooned to 12,000 (15,000?) attendees. Amazing! Perhaps, perhaps, we’ll be in San Antonio next year, and if not San Antonio, Kansas City, and if not Kansas City, Philadelphia…?

Miscellaneous updates: a q & a at The Seattle Review of Books, a review of DAUGHTERS OF THE AIR, an author-editor panel

7 Jul

 

My, My, My, My, My by Tara Hardy

Some heartbreaking poems I’ve been reading.

The Seattle Review of Books invited me to participate in their fun & breezy column, “Whatcha Reading?” I touched on dark psychological fiction, heartbreaking poetry, an essay on the cleverness of crows, and more. Something for everyone! Plus: a preview of some Women in Translation Month picks.

Over on the Magic Realism blog, Zoe Brooks had this to say about Daughters of the Air: “In every way this is a mature intelligent book which may not suit all readers, but it is an example of how magic realism is so suited to ambiguity and  to difficult subjects.” You can read the whole review here.

 

Also, I wrote a very personal essay about life choices here on Healthline.

Finally, this Monday at 6:30 pm at the Phinney Neighborhood Association, I will be participating in a panel discussion on the author-editor relationship at the Northwest Independent Editors’ Guild. The panel will include Dave Boling, author of The Lost History of Stars and Jamie Swenson of the University of Washington marketing and communications department. Matthew Bennett of the guild will moderate. Not in town but curious about the topic? You can tune in live on YouTube.

“Poems That Helped Me Write Novels” on the Submittable Blog & Upcoming Events

27 Feb

Gowanus canal at night.

Tonight at WORD Brooklyn, I’ll read a section of Daughters of the Air set in Gowanus.

It’s my birthday, and I’m home in Brooklyn. Today is full of treats. Mimosas and chocolate croissants with my family (and bagels, but I’ve been gorging on bagels since Saturday and have nearly reached my bagel limit), a stroll by Prospect Park, and a reading from Daughters of the Air at WORD Brooklyn at 7 pm. If you’re in town and free, I hope you’ll come! There will be wine and treats.

Over on the Submittable blog, I have a craft essay on poetry’s effect on my prose. Here’s how it begins:

Poems are tuning forks. When I am lost in the darkness of a novel-in-progress, fumbling through and then and then and then, they key me back into the precise and intimate. They pull me closer to the unknowable.  continue reading

After tonight I have two more stops on my east-of-the-Mississippi tour, in Chicago on Saturday, March 3 at The Book Cellar, with Gint Aras, and then three events at AWP in Tampa: Strange Theater: A Menagerie of Fabulists (Thursday, 3/8, 7 pm); a book signing at Lanternfish Press’s table at the book fair Friday (3/9) from 10-11:30 am; and Spontaneous Reading Party by C & R Press Friday (3/9, 7 pm), celebrating the release of CREDO: An Anthology of Manifestos & Source Book For Creative Writing. Then I’m back on the West Coast for the next little while, with a full docket of events you can see here. Huzzah!

“What Keeps You Up At Night?” in PageBoy IX

28 Apr

Beetle

The natural history of beetles Edinburgh :Henry G. Bohn, 1852. biodiversitylibrary.org/page/16056978

My poem-collage-essay-thing (I guess the kids these days call it a hybrid piece), “What Keeps You Up At Night?” is in the current issue of PageBoy Magazine. Issue IX’s theme is “writers on writers” and my piece touches on Kafka, Ricardo Piglia, anxiety, and memory. You can pick up an issue online, at the launch party at Vermillion on May 5th from 7-9 pm, or in Portland on May 27 from 6-7 pm at Another Read Through Books.

After the May 5 launch, you can pick Pageboy up at many fine bookstores. (I’ve starred stores that also carry the new issue of Moss. Maximum efficiency! Yay.)

In Seattle:

Elliot Bay*, University Bookstore*, Third Place Books*, Bulldog News, Open Books, Left Bank Books*, First and Pike News. (Moss is also available at Phinney Books.)

In Portland: Powell’s*, Another Read Through.
In Olympia: Orca Books, Last Word Books, The Evergreen State College Library.
In San Francisco: Dog Eared Books, City Lights, Green Apple Books.
In Berkeley: Pegasus Books (Shattuck).

 

Apropos of Moss, you can also find it:

In LA: Skylight Books.

In NYC: McNally Jackson.

“Green Tea in a Pink Room” in The Sunlight Press

11 Apr

GreenhousePinkFlowers

Green house & cherry blossoms.

I’m delighted to have my prose poem “Green Tea in a Pink Room” published in The Sunlight Press today! This is my second poem to be published, after last year’s “How Do I Fit This Ghost in My Mouth” in Pacifica Literary Review. Maybe if I publish an average of one poem a year I’ll have enough for a collection by my 100th birthday? It’s good to have goals.

Women in Translation Month

26 Jul

Women in Translation Month is around the corner! Last year, I compiled a list of translated books by women that I enjoyed and created a Women in Translation Bingo game. I also wrote about novellas by Marguerite Duras and Eileen Chang and poetry collections from Rocío Cerón and Angélica Freitas.

This summer has been a bit more hectic as I’ve been teaching more, taking my second novel through an eighth draft, and researching my third novel. However! I’m excited for Women In Translation Month and wanted to share with you four books on my to-read pile.

What have you been reading? WITMonth2016

“How Do I Fit This Ghost in My Mouth” in Pacifica Literary Review

23 Mar

I’m very happy to report that “How Do I Fit This Ghost in My Mouth,” my first published poem, is up on Pacifica Literary Review’s website. The piece was inspired by Geoffrey Farmer’s exhibit of the same name at the Vancouver Art Gallery back in September. Many thanks to editor Matt Muth!

Video and photos from Pay Dirt, a literary evening on art, money, and desire

17 Dec

Many thanks to Samudre Media for documenting Pay Dirt, the event culminating a year + of work on my novel PARALEGAL, thanks to an Art Project grant from 4Culture and a Jack Straw Fellowship. The Samudres do beautiful work in the Seattle arts community.

 

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