Tag Archives: Seattle7Writers

Word Play Transformations: Original Music Inspired by Seattle7Writers

5 Mar

On Saturday night, members of the Bushwick Book Club Seattle performed music inspired by Seattle7Writers Laurie Frankel, Michael Schmeltzer, and me! It was quite an experience to see the cover of Daughters of the Air projected onto the big screen as three tremendously talented singer/songwriters performed music written in response to it. Some drew directly from the text, weaving my words into their lyrics, and others told the story in a new way, drawing from the emotional complexities of the difficult mother-daughter relationship and painful history. Fifteen years of work and 260 pages of fraught novel distilled into three beautiful songs! I got a little verklempt. You can listen to some of the songs from that night right over here.

Music Inspired by Literature

22 Feb

Yesterday, I got a sneak peek at a song Sean Morse is writing in response to Daughters of the Air for Word Play: Original Music inspired by Seattle7Writers. The theme of the concert (happening on March 2 at Hugo House) is “Transformations,” which is certainly fitting for the metamorphoses in my novel. But it’s also super cool to experience a transformation of one art form to another. And what a honor to have one’s own work transformed!

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Notes From #AWP18, Part 2: “Sound Makes Sense: Reading the Lyric Sentence” and Various & Sundries (Gonzo Links Edition)

16 Mar

Sunrise view from my hotel room

Sunrise from our hotel room

The Friday of AWP is always the best day. The nervous energy of Thursday has dissipated, and the inevitable Saturday flu epidemic has not yet emerged. I woke early to respond to student stories and breakfasted on a leftover Cuban sandwich, wondering if it would make me barf later. Reader, it did not! A fortifying start.

Alan Sincic, the fantastic Orlando-based writer who was The Furnace’s Writer-in-Residence, was on a 9 am panel on the lyric sentence. I’m a fan of Sincic’s prose *and* mad presentation skills, so the early start was well worth it. The moderator, Pearl Abraham, kicked off the discussion with this advice: “If the voice doesn’t work, write better sentences.” 

Then Sincic woke up the crowd with a call-and-response activity, that gradually built up to us chanting together: “I am an individual and will not surrender my voice to the crowd.” He said, “A sentence is less like the beam of a house and more like the branch of a tree,” that a sentence has ghost limbs lost in the editing process. He proceeded to take apart this Mark Twain sentence, examining each word choice and its placement as a way of generating suspense and delight: “Is a tail absolutely necessary to the comfort and convenience of a dog?”

Baylea Jones analyzed a sentence from Dorothy Allison’s Bastard Out of Carolina, graphing sounds and letters, including patterns of consonant use, and internal rhymes: “Black walnut trees dropped their green-black fuzzy bulbs on Aunt Ruth’s matted lawn, past where their knotty roots rose up out of the ground like the elbows and knees of dirty children suntanned dark and covered with scars.” Wow! I had fun retyping that.

AuthorSigningI ducked out early to get to my book signing at the Lanternfish Press table, where I got to hang out with my editor Christine Neulieb and publisher Amanda Thomas,  and connect with new readers and old friends, including Julia Mascoli, who was in my Tin House workshop in 2013 and who is Deputy Director of Free Minds Book Club and Writing Workshop doing great work with incarcerated and formerly incarcerated people in Washington, D.C. (Seattle-area folks, you can donate books to prisons and other under-served communities via Seattle7Writers Pocket Libraries program.)

Later, I chilled at the Cambridge Writer’s Workshop table, celebrating the release of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, which includes my “Summer-Inspired Writing Prompts.” Co-editor Rita Banerjee was there with her mythic poetry collection Echo in Four Beats, as was Maya Sonenberg, whose new chapbook After the Death of Shostakovich Père is out from PANK Books.

That night, the celebration continued at the Helen Gordon Davis Center for Women, a beautiful old mansion a mile away from the convention center. There were many, many readings. One was from Women in the Literary Landscape; crowds whooped in appreciation for Anne Bradstreet, Virginia Kirkus, and the biographer of Eleanor Roosevelt. (I am a rube for not remember which biographer was mentioned, so here are five of them!)  Nell Painter, author of A History of White People, read from her forthcoming memoir Old in Art School, Diana Norma Szokolayi read her poem “Sarajevo,” Sonenberg read an anti-plot manifesto, and I read an excerpt from Daughters of the Air in which Pluta has committed arson in Brooklyn and found refuge in an abandoned Times Square theater. Fun! There is so much more to write…! I’ll wrap things up in one more post. Sneak preview: there will be blood.

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Reading at Strange Theater: A Menagerie of Fabulists. Photo courtesy of Daniel A. Hoyt. I swear, there were more people here. We agreed the line up was so good we’ll do it again in Portland, but weirder!

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