Tag Archives: Write-O-Rama

Upcoming Classes

1 Dec
Strange trinkets and doo-dads on display in Astoria, Oregon.

Objects galore, courtesy a storefront in Astoria, Oregon. An image-based writing prompt for you.

There are still some spots in my 30-minute, $10 online class Powerful Objects, meeting December 9 at 7 pm.  This micro-class is via OneRoom, an online platform designed specifically for creative writing classes allowing real-time interaction via video. The format of the micro-class is a great way to sneak in some writing in this busy time of year, if I do say so myself. Here is the class description:
Italo Calvino wrote that “the moment an object appears in a narrative, it is charged with a special force and becomes like the pole of a magnetic field, a knot in the network of invisible relationships.” We’ll read Kate Bernheimer’s short-short story “Pink Horse” to see how she uses imagery and detail to bring out the psychic power of a particular object. Then we’ll do a writing exercise exploring a character’s relationship with an object. Register here.
In 2016, I’m teaching 1000 Words a Week, a six-week class in which–you guessed it–we will write 1000 words a week. It’s like NaNoWriMo but at a more merciful pace. Class meets Thursdays 7-9 pm, starting January 14. General registration opens December 8; if you’re a Hugo House member you can register today. Scholarships are available! Apply by December 14. Class description here:
Each week we’ll write 1000 words using big-picture and fine-grain prompts. In class, we’ll lightly workshop pieces, focusing on questions like “What creates energy in this story?” and “What do you want to know more about?” Stories may be part of a larger work or stand alone. We’ll also discuss writers’ thoughts on writing, from classics like Anne Lamott’s “Shitty First Drafts” to newer essays like Rikki Ducornet’s “The Deep Zoo.” Students will leave class with 5000 new words. Register here.
Finally, I am teaching a mini-lesson called The Priceless Detail at Hugo House’s Write-O-Rama, this Saturday at 12 pm & 1 pm.  Here is the class description:
Good liars know that selective detail, not a pile of facts, make a more convincing story. In discussing Chekhov’s exceptional use of detail, Francine Prose notes that we live in detail, remember in detail, identify, recognize, and recreate in detail. But finding the right detail in fiction takes a lot of sifting. We’ll look to excerpts from Chekhov for inspiration, then immerse ourselves in an exercise drawing on keen observations of our own experiences. Register here.
Wishing you a writing-full season & 2016!

Dear Lucy by Julie Sarkissian

21 Jun

My bullet-point review of Julie Sarkissian’s debut novel Dear Lucy is up on the Ploughshares blog. Here’s how it begins:

Genre:literary fiction, debut.

Concerning: Lucy, a young woman whose different way of seeing and behaving has compelled her image-conscious, frustrated mother, Mum mum, to abandon her on a farm.

And: Samantha, a pregnant teenager on the same farm.

And: Missus and Mister, their caretakers. (And later, kidnappers of Samantha’s baby.)

And: two maybe-magical animals, namely, a talking baby chicken named Jennifer and a silent Yellow Eyed Dog.

Continue reading

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In other news, I’ll be teaching at Richard Hugo House’s Write-O-Rama tomorrow. This will be the third time I’m pitching in for a fun day of mini-lessons and writing frenzies, with proceeds going to Hugo House. My mini-lesson will include reading Cynthia Ozick’s story “The Shawl” and thinking about how objects in fiction can take on tremendous power. Check out all the fabulous class descriptions here and come by tomorrow between 10 and 5!

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