Tag Archives: writing

Can a story ever be “done”?

22 May

 

Over on The Woodsy, I chatted about inspiration, long-term motivation, and whether one ever feels “done” when writing a novel. I was joined by Bonnie Rochman, author of The Gene Machine, and Candace Dempsey, author of Murder in Italy. Thanks for the fun opportunity, Dena Ogden!

Kingfishers, herons, news

9 Sep

photo-24I’m back from a family trip to Orcas Island. Waiting for the ferry in Anacortes, we spotted skittering kingfishers and a great blue heron in flight–its path strangely loping. Then, in Orcas, there were the requisite cows, sheep, and horses; a buck crunching on dead leaves; and sweet doe eating dandelions. We went to the old strawberry barreling plant in the hamlet of Olga, where there are no longer any strawberry fields. And M & I baked our bones in a sauna that may have been close to 200° F. How refreshing!photo-27

Now I’m in back-to-school mode. A few tidbits of note:

  • On Sunday, September 18, I’m teaching a free one-day class on contemporary fairy tales at the Capitol Hill branch of the Seattle Public Library.
  • On Saturday, October 22, I will be one of 40+ featured artists at Artist Trust’s 30th Birthday Party. Tickets are $25 and proceeds support this amazing organization and all the hard work it does in Washington State. I have felt their impact profoundly as a recipient of their inaugural Gar LaSalle Storyteller Award. But they have been a helpful resource for me long before that; I attended a number of their grant writing workshops and compiled some of my notes in a post here.
  • Finally, I’m pleased to be offering one-on-one writing coaching via Hugo House’s new manuscript consultation program. You can learn all about here.

In other news, I have a few pieces forthcoming–a collage essay about a fruit (in the meantime here’s a post I wrote about nectarines), a short story inspired by my recent trip to the Netherlands, and two short-short fairy tales. I’ll be sure to post links to these pieces as they become available.

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Jack Straw Podcast: Excerpt from Paralegal and interview with Kevin Craft

18 Aug

Jack Straw logo

The podcast from my 2015 Jack Straw fellowship is now up on their blog. Curator Kevin Craft spoke with me about my novel-in-progress PARALEGAL and the creative process. Then I read an excerpt, featuring, among other things, cabbage and spite. (Per Levi Fuller’s recommendation, I might retitle it CABBAGE AND SPITE.)

Here’s how the podcast begins:

Sometimes she wondered if part of her motivation to pursue art was simply spite.

Listen

You can pick up an anthology with this excerpt and those of all the 2015 fellows here. Many thanks to Kevin Craft, Levi Fuller, Joan Rabinowitz, and everyone at Jack Straw Cultural Center!

Women in Translation Month

26 Jul

Women in Translation Month is around the corner! Last year, I compiled a list of translated books by women that I enjoyed and created a Women in Translation Bingo game. I also wrote about novellas by Marguerite Duras and Eileen Chang and poetry collections from Rocío Cerón and Angélica Freitas.

This summer has been a bit more hectic as I’ve been teaching more, taking my second novel through an eighth draft, and researching my third novel. However! I’m excited for Women In Translation Month and wanted to share with you four books on my to-read pile.

What have you been reading? WITMonth2016

Aside

Memory and Imagination at Hugo House

14 Jul

There are just five spots left in Memory and Imagination, my one-day generative class at Hugo House. Join me for a Saturday afternoon of writing from memory and the senses! Wisdom from Rikki Ducornet, Jorge Borges, and Vladimir Nabakov will offer insight in the process. And here’s Umberto Eco on the subject, in The Name of the Rose:

“This, in fact, is the power of imagination, which, combining the memory of gold with that of the mountain, can compose the idea of a golden mountain.”

Class meets Saturday, August 13, 1-4 pm. You can register here.

Netherlandish Birds

15 May

bosch-pond

Thanks to the tremendous generosity of the Artist Trust / Gar LaSalle Storyteller Award, I spent the earlier part of this month in the Netherlands, researching my third novel. M came as my trusty research assistant, furnishing highlighters, snacks, and sweaters with alacrity. There’s a lot of information crammed in my skull right now, which I am organizing as best I can, hoping it seeps into the crevices of my subconscious fruitfully.

What struck me on our trip: the birds! (I know, I know, put a bird on it.) Egrets, loons, swans, geese, ducks, grouse, crows; white-breasted, brilliant blue, long-tailed, plump and shimmery; raucous, trilling, warbling, chortling. Fact: the first painting acquired by the Rijksmuseum features a bold, angry swan.

Jan_Asselijn_-_De_bedreigde_zwaan;_later_opgevat_als_allegorie_op_Johan_de_Witt_-_Google_Art_Project

In the moat by the citadel in ‘S-Hertogenbosch, an egret bullied ducks until a trio of geese chased the egret to the boardwalk where it loomed. This continued on a loop for a while. A seagull swooped down to chase the egret further and when the egret returned, the geese trailed it, sinister and slow. Sinister, at least, until we realized there were goslings near.

In a canal in Rotterdam, three loons had a lovers’ spat. Slapped wings, held heads beneath the water–murderous! Not far from there, we strolled past the “swan bridge,” soaring and modern.

On our last night in Amsterdam, we stayed at a fanciful b&b on the Western Canal Belt. Our hostess could not greet us when we arrived. She hid our keys in a flowerpot. Up two steep, narrow flights of stairs, we flung open the door. The lights were on, the doors and windows open, a gust of wind coming from the terrace, which led to another room with another open door, and the flutter and chirp of green and yellow parakeets, in a big cage looking down upon the Keizersgracht canal. Old books stacked everywhere, art on the walls and leaning upon the books, a laptop left on a long wooden table, half open, as if our hostess had left in a hurry. It had the feel of that computer game Myst, where mysterious rooms, empty of people, always suggest a presence, a place quickly abandoned. We did meet her late that night and in the morning at breakfast the birds flew freely about the room and she would call to them and air kiss them and talked to us about Argentina and Barcelona and photography and her love of Amy (Winehouse).

Apropos of birds, on the flight back, I finished Noy Holland’s debut novel Bird, a raw gorgeous thing. Here, I leave you with an excerpt:

She was hungry again and gorged herself on chicken fried steak and skittles, on vermilion faces of canyons, cliffs you could dig with a spoon.

 

Spring Classes: Contemporary Fairy Tales & Powerful Objects

15 Mar
Moss+Blossoms

Mossy trees sprouting cherry blossoms at the University of Washington

This spring, I’m teaching a six-week class on contemporary fairy tales at Hugo House. We’ll read Angela Carter and Margaret Atwood and Sarah Shun-lien Bynum and Alissa Nutting, among other fantastic writers. We’ll talk about some of my favorite techniques, like everyday magic and intuitive magic. And we’ll try our hands at writing our own fairy tales. Class meets Wednesday nights 7-9 pm from May 25-June 29. Registration is currently open for Hugo House members; general registration opens March 22. Scholarships are available and applications are due on March 25.

white out blossoms

Cloud cover & blossoms

I’m also teaching a 75-minute webinar on Saturday, April 16 called Powerful Objects via Inked Voices. We’ll talk about one of my favorite topics: how objects create a special kind of magic in fiction and how useful they are in developing character, plot, and emotional resonance. It’s a lecture-based class that will include writing prompts and a Q&A. The class will meet at 12 pm EST / 9 am PST and is just $25. We’ll talk about Cynthia Ozick’s story “The Shawl,” so please read that in advance. You can register here.

Speaking of fairy tales, right now at the Henry Art Gallery, you can see Paul McCarthy’s White Snow, a wildly whimsical and subversive take on Snow White. A few years ago, I saw his gonzo installation WS at the Park Avenue Armory in New York, a similarly subversive spin on Snow White but somehow less rich than the wood sculptures on view at the Henry. White Snow seems more artful, crafted, and thoughtful, whereas WS was a big raunchy frat party. The Henry is now free on Sundays (huzzah!), so go check it out. Perhaps it will inspire you!

paging archimboldo

Where is Arcimboldo when you need him?

Interview in Ordinary Madness #76

9 Mar

Yesterday I had the pleasure of chatting with Steve Barker for the 76th edition of Ordinary Madness, his Arts & Entertainment podcast. We talked about novel writing, rejection, The Furnace, the effects of winning awards, and a bit about my time at McGill University in Montreal. I also read two short-short stories, one of which is quite new. Fun!

Video and photos from Pay Dirt, a literary evening on art, money, and desire

17 Dec

Many thanks to Samudre Media for documenting Pay Dirt, the event culminating a year + of work on my novel PARALEGAL, thanks to an Art Project grant from 4Culture and a Jack Straw Fellowship. The Samudres do beautiful work in the Seattle arts community.

 

Aside

Three Winning Stories

16 Dec

Some people have been asking what I submitted for the Artist Trust / Gar LaSalle Storytelling Award. They were three short stories:

  1. The Zoo,” published in Washington City Paper
  2. Old Boyfriends,” published in Propeller Magazine
  3. Sugar,” published in Gastronomica

I didn’t submit a novel excerpt, following the general grant-writing advice to use a work sample that has a beginning, middle, and end. I also strived to show a range in styles and put the sample together in the order above to modulate tone, starting with the sad/happy, getting quite dark, and then ending on a lighter note. Just putting my process out there in case it’s helpful! NB: Artist Trust gathers an amazing list of funding resources here. And here’s a post on writing artist statements.

 

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